Includes bibliographical references (pages 266-271) and index.
Contents:
Canonicity and influence / Laura Tunbridge -- Appendix : texts and translations. Schubert's Winterreise and its musical heritage. Music and culture in Schubert's Vienna / Andrea Lindmayr-Brandl -- Tradition and innovation in Schubert's lieder / Marjorie W. Hirsch -- Precusors to Winterreise : songs of winter and wandering, the early song cycle / Lisa Feurzeig -- Part II: Die Winterreise : poetic cycle. Wilhelm Müller odyssey / Kristina Muxfeldt -- Schubert's treatment of Müller's poems : some issues / Rufus Hallmark -- Part III: Cultural and historical contexts. Two perspectives on psychology in Winterreise. Section 1 : the emerging discipline of psychology / David Romand ; Section two : Explorations of human behavior outside the academic sphere / Lisa Feurzeig -- Nature and science in Winterreise / Blake Howe -- On the move : outcasts, wanderers, and the political landscape of Die Winterreise / George S. Williamson -- Part IV: Winterreise : song cycle. Identification in Die schöne Müllerin and Winterreise / James William Sobaskie -- Text-music relationships / Susan Wollenberg -- A winter of poetry : connections among the songs in Schubert's Winterreise / Xavier Hascher -- Discontinuity in Winterreise / Deborah Stein -- Part V: Winterreise after 1827. Performance and reception / Benjamin Binder -- Canonicity and influence / Laura Tunbridge -- Appendix : texts and translations.
Summary:
"Organized in five parts, this Companion enhances understanding of Schubert's Winterreise by approaching it from multiple angles. Part I examines the political, cultural, and musical environments in which Winterreise was created. Part II focuses on the poet Wilhelm Müller, his 24-poem cycle Die Winterreise, and changes Schubert made to it in fashioning his musical setting. Part III illuminates Winterreise by exploring its relation to contemporaneous understandings of psychology and science, and early nineteenth-century social and political conditions. Part IV focuses more directly on the song cycle, exploring the listener's identification with the cycle's protagonist, text-music relations in individual songs, Schubert's compositional 'fingerprints', aspects of continuity and discontinuity among the songs, and the cycle's relation to German Romanticism. Part V concentrates on Winterreise in the nearly two centuries since its completion in 1827, including lyrical and dramatic performance traditions, the cycle's influence on later composers, and its numerous artistic reworkings."--Publisher
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.