275 records matched your query       

03978aam a2200433 c 4500
001 C6D83A4E68DD11EA9C5A9E4D97128E48
003 SILO
005 20200318010024
008 200304t20202020wiucfh   b    000 0 eng d
020    $a 198720302X
020    $a 9781987203028
028 32 $a A086 $b A-R Editions, Inc.
035    $a (OCoLC)1142969616
040    $a MAC $b eng $e rda $c MAC $d GZN $d NTE $d NUI $d SILO
050  4 $a ML417.T83 $b S65 2020
100 1  $a Tudor, David, $d 1926-1996, $e author.
245 10 $a Solo for piano by John Cage, second realization. $n Part 1, $p Essay and critical commentary / $c David Tudor ; edited by John Holzaepfel
264  1 $a Middleton, Wisconsin : $b A-R Editions, Inc., $c 2020.
300    $a xv, 385 pages, 15 pages of plates : $b facsimiles, portrait ; $c 26 cm
490 1  $a Recent researches in American music ; $v volume 86
490 1  $a Music of the United States of America, $x 1066-8217 ; $v volume 30A
520    $a "The collaboration of [John] Cage and [David] Tudor reached an apex in the Solo for Piano from Cage's Concert for Piano and Orchestra (1957-58). None of Cage's previous works had employed more than a single type of notation. In contrast, the Solo for Piano consists of eighty-four notational types, ranging from standard line-and-staff notation to extravagant musical graphics. The notational complexity of the Solo for Piano led Tudor to write out-or realize-a performance score, from which he played at the premiere of the Concert for Piano and Orchestra in May 1958. The next spring, when Cage requested music to complement his ninety-minute lecture "Indeterminacy," Tudor created a second realization, for which he devised a new temporal structure to implement Cage's notations. This edition of Tudor's second realization of the Solo for Piano presents Tudor's performance score in the spatial-temporal layout of its proportional notation. An introductory essay discusses the early collaborations of Cage and Tudor, as well as the genesis, creative process, and performance history of the Solo for Piano. The critical commentary examines each of Tudor's methods of realization; which notations from Cage's score Tudor selected and why; how Tudor interpreted Cage's often ambiguous performance instructions; how Tudor distributed the resulting sounds temporally; and the ways in which Tudor's realization fulfills, transcends, and sometimes contravenes the instructions of Cage's score"--Provided by publisher
500    $a Textual material to accompany David Tudor's second realization of the Solo for Piano from John Cage's Concerto for piano and orchestra.
504    $a Includes bibliographical references (pages 381-385).
505 0  $a John Cage, David Tudor, and the Solo for Piano -- Plates -- Sources -- Editorial methods -- Critical commentary -- Appendix -- List of Tudor's performances of the Solo for piano.
600 10 $a Tudor, David, $d 1926-1996 $x Criticism and interpretation.
600 10 $a Tudor, David, $d 1926-1996 $x Friends and associates.
600 10 $a Cage, John $x Friends and associates.
600 10 $a Cage, John $v Adaptations.
650  0 $a Piano music $z United States $y 20th century $x Analysis, appreciation.
650  0 $a Aleatory music $y 20th century $x Analysis, appreciation.
776 08 $i Online version $a Tudor, David, 1926-1996 $t Solo for piano by John Cage, second realization. Part 1, Essay and critical commentary. $d Middleton, Wisconsin : A-R Editions, Inc., 2020 $z 9781987203035
787 08 $i Companion publication to (work) $a Tudor, David, 1926-1996 $t Solo for piano by John Cage, second realization. Part 2, music edition $d Middleton, Wisconsin : A-R Editions, Inc., 2020 $z 9781987203042
700 1  $a Holzaepfel, John, $e editor.
830  0 $a Recent researches in American music ; $v v. 86.
830  0 $a Music of the United States of America ; $v 30A, $x 1066-8217
941    $a 1
952    $l OVUX522 $d 20220317013811.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C6D83A4E68DD11EA9C5A9E4D97128E48