The Locator -- [(title = "hollow crown")]

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05698aam a2200517 i 4500
001 EFFAE1EAECCE11E5A64DF5B3DAD10320
003 SILO
005 20160318010059
008 150213s2015    enk      b    001 0 eng  
010    $a 2015003460
020    $a 1137464747
020    $a 9781137464743
035    $a (OCoLC)902659333
040    $a DLC $b eng $e rda $c DLC $d YDX $d BTCTA $d BDX $d OCLCF $d YDXCP $d CDX $d OCLCO $d COO $d CHVBK $d IUL $d ZCU $d OCLCQ $d SILO
042    $a pcc
050 00 $a PR2976 $b .S3344 2015
082 00 $a 822.3/3 $2 23
084    $a LIT015000 $a HIS037090 $a LIT000000 $a LIT004120 $a LIT015000 $2 bisacsh
245 00 $a Shakespeare and emotions : $b inheritances, enactments, legacies / $c edited by R.S. White, Australian Professorial Fellow and Professor of English and Cultural Studies, the University of Western Australia, Mark Houlahan, Senior Lecturer, University of Waikato, New Zealand, Katrina O'Loughlin, Postdoctoral Research Fellow, Australian research Council Centre of Excellence for the History of Emotions, the University of Western Australia, Australia.
264  1 $a Houndmills, Basingstoke, Hampshire ; $b Palgrave Macmillan, $c 2015.
300    $a xii, 270 pages ; $c 23 cm.
490 1  $a Palgrave Shakespeare studies
504    $a Includes bibliographical references and index.
505 00 $g 9. $t 'My Heart Dances': Performing Emotion through Shakespeare's Rhythms / $r Peter Groves; $g Part I. $t Emotional Inheritances: $g 2. 'Of Comfort and Dispaire': Plato's Philosophy of Love and Shakespeare's Sonnets / $r Danijela Kambaskovic; $g 3. $t Locus amoenus or locus violens? Shakespearean Emotions Expressed Through an Ovidian Model / $r Bríd Phillips; $g 4. $t Once upon a Time: Cymbeline, Fairy Tales, and 'the terrifying truths of the inner life' / $r Ciara Rawnsley; $g 5. $t ' ... another comfort': Virginity and Emotion In Measure for Measure / $r Andrew Lynch; $g 6. $t French Feeling: Language, Sex and Identity In Henry V / $r Stephanie Downes; $g 7. $t Power, Vulnerability and Sexuality: Representations of Margaret of Anjou in a London Chronicle and Shakespeare's 3 Henry VI / $r Mary-Rose McLaren -- $g Part II. $t Shakespearean Enactments: $g 8. $t 'My Heart Dances': Performing Emotion through Shakespeare's Rhythms / $r Peter Groves; $g 9.
505 00 $t Only Connect: Dramaturgy and a Living Shakespeare / $r Philippa Kelly; $g 18. $t Emotional Education and Leadership in the Henriad / $r Martin Dawes; $g 11. $t 'Say how I loved you': Queering the Emotion of Male Same-Sex Love in The Merchant of Venice / $r Anthony Guy Patricia; $g 12. $t Making a Virtue of Giddiness: Rethinking Troilus' (E)Motion / $r Alison V. Scott; $g 13. $t 'I shall split all / In pleasure of my spleen!': Troilus and Cressida and the Expression of Emotion / $r Ronald Bedford; $g 14. $t Displacement: Maps and Emotions in Othello / $r Christopher Wortham; $g 15. $t Lear in the Storm: Shakespeare's Emotional Exploration of Sovereign Mortality / $r Jennifer Hamilton; $g 16. $t 'Sociable' Tears in The Tempest / $r Heather Kerr -- $g Part III. $t Emotional Legacies and Re-enactnemts: $g 17. $t Only Connect: Dramaturgy and a Living Shakespeare / $r Philippa Kelly; $g 18.
505 00 $t Afterword / $r Mark Houlahan. $g 23. $t 'Tis Master's Voice: A Seventeenth-Century Shakespeare Recording? / $r Andrew Lawrence-King; $g 20. $t Recognition in Shakespeare and Hegel / $r Simon Haines; $g 21. $t 'The days that we have seen': History and Regret in Henry IV, Parts One and Two, The Hollow Crown (2012) / $r Rosemary Gaby; $g 22. $t Whose Nostalgia? Geoffrey Rush and The Merry Wives of Windsor, Brisbane 1987 / $r Elizabeth Schafer; $g 23. $t Afterword / $r Mark Houlahan.
520    $a "This collection of original essays by established and emerging scholars approaches the works of Shakespeare from the topical perspective of the History of Emotions. What emerges is not a single paradigm or 'grand narrative', but a variety of approaches, ranging from the historical to the interpretive, illuminating the primacy of emotions in Shakespearean scholarship and theatre. The section 'Emotional Inheritances' looks back to Shakespeare's sources and cultural backgrounds, showing that some aspects of his representations of emotions come from the classics and medieval world; 'Shakespearean Enactments' presents essays that analyse a range of emotional states and issues in the plays themselves; while 'Legacies and Re-Enactments' traces aspects of his influence through later times and down to the present day. Taken together these diverse but related essays present a kaleidoscope of suggestive approaches to the potentially endless subject of emotions in Shakespeare"-- $c Provided by publisher.
600 10 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation.
650  0 $a Emotions in literature.
650  7 $a HISTORY $x 17th Century. $x 17th Century. $2 bisacsh
650  7 $a HISTORY $x 16th Century. $x 16th Century. $2 bisacsh
650  7 $a LITERARY CRITICISM $x General. $2 bisacsh
650  7 $a LITERARY CRITICISM $x English, Irish, Scottish, Welsh. $x English, Irish, Scottish, Welsh. $2 bisacsh
650  7 $a LITERARY CRITICISM $x Shakespeare. $2 bisacsh
600 17 $a Shakespeare, William, $d 1564-1616. $2 fast $0 (OCoLC)fst00029048
650  7 $a Emotions in literature. $2 fast $0 (OCoLC)fst00908874
600 17 $a Shakespeare, William, $d 1564-1616. $0 (DE-588)118613723 $2 gnd
650  7 $a Gefühl. $0 (DE-588)4207378-9 $2 gnd
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
700 1  $a White, R. S., $d 1948- $e editor.
700 1  $a Houlahan, Mark, $d 1960- $e editor.
700 1  $a O'Loughlin, Katrina, $e editor.
830  0 $a Palgrave Shakespeare studies.
941    $a 1
952    $l OVUX522 $d 20231017030324.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=EFFAE1EAECCE11E5A64DF5B3DAD10320

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