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03813aam a2200469 i 4500 001 3DF4E284475911E7B35354A3DAD10320 003 SILO 005 20230510010042 008 160223s2016 ilu bc 001 0 eng 010 $a 2016009063 020 $a 0865592829 (softcover) 020 $a 9780865592827 (softcover) 020 $a 0300214855 (hardback) 020 $a 9780300214857 (hardback) 035 $a (OCoLC)930798166 040 $a DLC $b eng $e rda $c DLC $d YDX $d ERASA $d BDX $d YDXCP $d BTCTA $d OCLCF $d OSU $d RB0 $d ZCU $d YUS $d FDA $d GK8 $d PUL $d ILM $d IAK $d UBY $d CUT $d EUM $d NHA $d DYJ $d OCLCO $d WDB $d SILO 042 $a pcc 043 $a n-us--- 050 00 $a ND212 A4478 2016 084 $a ART006010 $a ART015100 $a ART006010 $2 bisacsh 245 00 $a America after the fall : $b painting in the 1930s / $c edited by Judith A. Barter ; with essays by Judith A. Barter, Sarah L. Burns, Teresa A. Carbone, Annelise K. Madsen, and Sarah Kelly Oehler. 250 $a First edition. 264 1 $a Chicago, Illinois : $b The Art Institute of Chicago, $c [2016] 300 $a 201 pages ; $c 31 cm 504 $a Includes bibliographical references (pages 188-195) and index. 520 $a "Through 50 masterpieces of American painting, this catalogue chronicles the turbulent economic, political, and aesthetic climate of the 1930s. This decade was a supremely creative period in the United States, as the nation's artists, novelists, and critics struggled through the Great Depression in search of "Americanness." Seeking to define modern American art, many painters challenged and reworked the meanings and forms of modernism, reaching no simple consensus. This period was also marked by an astounding diversity of work as artists sought styles-ranging from abstraction to Regionalism to Surrealism-that allowed them to engage with issues such as populism, labor, social protest, and urban and rural iconography including machines, factories, and farms. Seminal works by Edward Hopper, Grant Wood, Thomas Hart Benton, Georgia O'Keeffe, Aaron Douglas, Charles Sheeler, Stuart Davis, and others show such attempts to capture the American character. These groundbreaking paintings, highlighting the relationship between art and national experience, demonstrate how creativity, experimentation, and revolutionary vision flourished during a time of great uncertainty"-- $c Provided by publisher. 505 00 $g Exhibition checklist. $g Foreword / $r Judith A. Barter -- $g Acknowledgments / $r Judith A. Barter -- $g Introduction / $r Judith A. Barter -- $t Americanness after the 1930s / $r Judith A. Barter -- $t American made? Transatlantic expressions in the 1930s / $r Sarah Kelly Oehler -- $t Reviving the old and telling tales: 1930s modernism and the uses of American history / $r Annelise K. Madsen -- $t Death, decay, and dystopia: painting the American wasteland in the 1930s / $r Sarah L. Burns -- $t Busted seams and bad behavior : bodies for the 1930s / $r Teresa A. Carbone -- $g Epilogue: $t Americanness after the 1930s / $r Judith A. Barter -- $g Exhibition checklist. 650 0 $a Painting, American $y 20th century $v Exhibitions. 650 0 $a National characteristics, American, in art $v Exhibitions. 650 0 $a Art and society $z United States $x History $y 20th century $v Exhibitions. 648 7 $a 1900-1999 $2 fast 700 1 $a Barter, Judith A., $d 1951- $e editor. 710 2 $a Art Institute of Chicago, $e host institution. $e host institution. 710 2 $a Musee de l'Orangerie, $e host institution. 710 2 $a Royal Academy of Arts (Great Britain), $e host institution. 941 $a 4 952 $l OVUX522 $d 20191213013954.0 952 $l USUX851 $d 20190103015351.0 952 $l BOPG851 $d 20181006101016.0 952 $l TCPG826 $d 20170726010550.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3DF4E284475911E7B35354A3DAD10320 994 $a C0 $b IWAInitiate Another SILO Locator Search