The Locator -- [(title = "South Korea")]

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02914aam a2200361 i 4500
001 6ECF29E69E3C11EE84E191EF36ECA4DB
003 SILO
005 20231219010058
008 230127s2023    caua     b    001 0 eng  
010    $a 2023003833
020    $a 0520394372
020    $a 9780520394377
035    $a (OCoLC)1375187459
040    $a CU-S/DLC $b eng $e rda $c DLC $d OCLCF $d BDX $d UKMGB $d OCLCQ $d YDX $d OCLCO $d NUI $d SILO
042    $a pcc
043    $a a-ko---
050 00 $a PN1993.5.K6 $b K48 2023
082 00 $a 791.43095195 $2 23/eng/20230413
100 1  $a Kim, Hieyoon, $d 1983- $e author.
245 10 $a Celluloid democracy : $b cinema and politics in Cold War South Korea / $c Hieyoon Kim.
264  1 $a Oakland,California : $b University of California Press, $c [2023]
300    $a xv, 163 pages : $b illustrations (some color) ; $c 23 cm
520    $a "Korean filmmakers, distributors, and exhibitors reshaped cinema in radically empowering ways amid political turbulence from liberation through the decades of military rule (1945-1987). With acts ranging from making films that brought the dispossessed to the screen to bootlegging as an effort to redistribute resources under the state's control, they explored ideas and practices that expanded the definition of democracy and pushed the limits of the cinematic medium. Drawing on archival research, film analysis, and interviews, Hieyoon Kim shows how their work foregrounds a utopian vision of democracy in which the ruled could represent themselves and exercise their rights to access resources free from state suppression. As the first account of the history of film activism in post-1945 South Korea, Celluloid Democracy shows how Korean film workers during the Cold War reclaimed cinema as an ecology in which democratic discourses and practices could flourish"-- $c Provided by publisher.
504    $a Includes bibliographical references and index.
505 0  $a Introduction -- To democratize cinema : filmmakers, critics, and bootleggers in the US occupation -- In search of democracy : cinema in the postwar classroom and its grassroots network -- At the margins of freedom : A Day Off (1968) and film censorship -- Beyond the marginalization of women : Khaidu as a feminist experimental film collective -- Toward a new cinema : the Seoul Film Collective's aesthetic and political subversion -- Conclusion.
648  7 $a 1900-1999 $2 fast
650  0 $a Motion pictures $x Political aspects $z Korea (South) $y 20th century.
650  7 $a Motion pictures $x Political aspects $2 fast $0 (OCoLC)fst01027353
651  7 $a Korea (South) $2 fast $0 (OCoLC)fst01206791
776 08 $i Online version: $a Kim, Hieyoon, 1983- $t Celluloid democracy $d Oakland,California : University of California Press, [2023] $z 9780520394384 $w (DLC)  2023003834
941    $a 1
952    $l OVUX522 $d 20231219012107.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6ECF29E69E3C11EE84E191EF36ECA4DB

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