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04463aam a2200373 i 4500 001 2D5521222E9411E9B5CB1E4197128E48 003 SILO 005 20190212010150 008 171207t20182018enka b 001 0 eng c 020 $a 9781526125750 020 $a 1526125757 035 $a (OCoLC)1014036111 040 $a YDX $b eng $e rda $c YDX $d EUM $d YDX $d TOH $d OCLCF $d OCLCO $d DGN $d GUA $d OSU $d ZLM $d SILO 042 $a pcc 050 4 $a NE865 $b .P47 2018 082 04 $a 760 $2 23 245 00 $a Perspectives on contemporary printmaking : $b critical writing since 1986 / $c edited by Ruth Pelzer-Montada. 264 1 $a Manchester : $b Manchester University Press, $c 2018. 300 $a xviii, 347 pages : $b illustrations ; $c 24 cm 504 $a Includes bibliographical references and index. 505 20 $g (2013) / $t Post-print culture? $g (1997) / $r Frances Robertson $t The technical gaze: the parallel world of photography $g (2003) / $r Ernst Rebel -- $t Post-print culture? $g (2013) / $r Frances Robertson 505 80 $g (2016) / $t The what and the why of print $g (1986) / $r Barbara Balfour $t Sentences on printed art $g (1994) / $r Richard S. Field -- $t The re-vision of printmaking $g (1999) / $r Kathryn Reeves -- $t The shape of graphic art $g (2010) / $r Andrzrej Bednarczyk -- $t The graphic unconscious or the how and why of a print triennial $g (2011) / $r Jose Roca -- $t Print as other: the future is queer $g (2013) / $r Richard Harding -- $t The what and the why of print $g (2016) / $r Barbara Balfour 505 80 $g (2014) / $t Animal print suicide $g (2003) / $r Nicky Coutts $t The status of the reproduction $g (1988) / $r Susan Lambert -- $t Benjamin's blindspot: aura and reproduction in the post-print age $g (2015) / $r Clare Humphries -- $t Are all multiples the same? The problematic nature of the limited edition $g (2015) / $r K. E. Gover -- $t Printing plates and pixel matrix: the mechanisation of memory $g (2010) / $r Frieder Nake -- $t Opening up an anachronistic point of view $g (1997) / $r Georges Didi-Huberman -- $t Untying the knot: memory and forgetting in contemporary print work $g (2013) / $r Deidre Brollo -- $t Spirit duplication $g (2010) / $r Yara Flores -- $t Three ways to use yellow $g (2014) / $r Catherine Brooks -- $t On the manual (in the manual) $g (2014) / $r Amze Emmons, R. L. Tillman, Jason Urban -- $t Animal print suicide $g (2014) / $r Nicky Coutts 505 80 $g (2014) / $t Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir $g (2007) / $r R. L. Tillman $t Projects and portfolios: narrative and structure $g (1995) / $r Jeremy Lewison -- $t Lasting impressions? A museum perspective on digital fine art printmaking $g (2009) / $r Gill Saunders -- $t Print and the public sphere $g (2011) / $r Sheryl Conkelton -- $t The work event: art in the distributed field and systems of production $g (2013) / $r Johanna Drucker -- $t All the instruments agree $g (2010) / $r Eric Triantafillou -- $t Stamping (molding) marks: the San Juan Triennial tracking the new century $g (2004) / $r Mari Carmen Ramirez -- $t Chinese printmaking in the twenty-first century: new horizons and energies $g (2011) / $r Shang Hui -- $t What is 'studio' in the post-disciplinary age? $g (2011) / $r Matthew Perkins -- $t Making a place: art and a multi-modal, multi-disciplinary approach $g (2014) / $r Amanda Thomson -- $t Failures, irritations and grief in printing: in search of Manly Banister, an excerpt from an unpublishable memoir $g (2014) / $r R. L. Tillman 520 $a "This anthology, the first of its kind, presents thirty-two texts on contemporary prints and printmaking written from the mid-1980s to the present by authors from across the world. The texts range from history and criticism to creative writing. More than a general survey, they provide a critical topography of artistic printmaking during the period. The book is directed at an audience of international stakeholders in the field of contemporary print, printmaking and printmedia, including art students, practising artists, museum curators, critics, educationalists, print publishers and print scholars. It expands debate in the field and will act as a starting point for further research." -- Publisher's description 650 0 $a Prints. 650 0 $a Printmakers. 650 0 $a Prints $x Technique. 650 7 $a ART / Prints. $2 bisacsh 650 7 $a Prints. $2 fast $0 (OCoLC)fst01076812 700 1 $a Pelzer-Montada, Ruth, $e editor. 941 $a 1 952 $l OVUX522 $d 20191211030924.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=2D5521222E9411E9B5CB1E4197128E48Initiate Another SILO Locator Search