The Locator -- [(title = "Alterations")]

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001 84742F4E8FC011ECBA4AA6A62FECA4DB
003 SILO
005 20220217010136
008 210115s2021    be abcd  b    100 0 eng d
020    $a 9042943327
020    $a 9789042943322
035    $a (OCoLC)1231708930
040    $a ERASA $b eng $e rda $c ERASA $d QGJ $d CNNGC $d OCLCO $d INU $d OCLCO $d HTV $d CMA $d OCLCF $d PAU $d OHX $d YDX $d JPG $d OCLCO $d OCL $d OCLCO $d FNE $d FDA $d OCLCO $d NUI $d SILO
043    $a e-be---
050 04 $a ND673.B73 $b S96 2018
072  7 $a ND $2 lcco
082 14 $a 700-9492
111 2  $a Symposium for the Study of Underdrawing and Technology in Painting $n (21st : $d 2018 : $c Brussels, Belgium), $j author.
245 14 $a The Bruegel success story : $b papers presented at Symposium XXI for the Study of Underdrawing and Technology in Painting, Brussels, 12-14 September 2018 / $c edited by Christina Currie, in collaboration with Dominique Allart, Bart Fransen, Cyriel Stroo and Dominique Vanwijnsberghe.
264  1 $a Leuven ; $b Peeters, $c 2021.
300    $a vii, 550 pages : $b color illustrations, charts, maps, plans, portraits ; $c 31 cm
520 8  $a The Bruegel Success Story. This small phrase evokes the brand invented by the great Pieter Bruegel the Elder (c.?1526/7?69), which was capitalised on by his two sons and many followers. It was the natural theme for a symposium that brought together art historians, scientists and connoisseurs to celebrate the art of Pieter Bruegel and his indelible influence on the generations that followed. The idea for The Bruegel Success Story Colloquium took root at the Royal Institute for Cultural Heritage in Brussels, where Bruegel's most enigmatic painting, the Dulle Griet, was being restored in preparation for the great Bruegel exhibition at the Kunsthistorisches Museum in Vienna in 2018-19. The papers presented at the symposium that now appear as beautifully illustrated essays in this book are the fruit of research by both renowned experts and relative newcomers, all of whom have been profoundly touched by the art of Pieter Bruegel and his progeny.
504    $a Includes bibliographical references (pages 511-541).
505 00 $g Photographic credits. $g Part 1 -- $t The Dulle Griet: a thematic and synthetic analysis / $t The surprises of Dulle Griet / $r Gaston Vandendriessche (2002), with a foreword by Dominique Vanwijnsberghe -- $t Lifting the veil: the Dulle Griet redisdovered through conservation, scientific imagery and analysis / $r Christina Currie, Steven Saverwyns, livia Depuydt-Elbaum, Pascale Fraiture, Jean-Albert Glatigny and Alexia Coudray -- $t The coloured drawing of the Dulle Griet in the Kunstpalast, Düsseldorf: new findings on its status and dating / $r Christina Currie, Dominique Allart, Sonja Brink and Steven Saverwyns -- $g Part 2 -- $t Pieter Bruegel the Elder: making, meaning and copying -- $t The Adoration of the Magi in the Royal Museums of Fine Arts of Belgium: overview and new perspectives / $r Véronique Bücken -- $t The final piece of the puzzle: Bruegel's use of cartoons in the Battle between Carnival and Lent and reflections on his prepatory work for painting / $r Christina Currie -- $t Pieter Bruegel the Elder's Triumph of Death and versions by his sons: the creative process and the art of copying / $r Christina Currie and Dominque Allart -- $t Pieter Bruegel the Elder's Copenhagen oil sketch of the Strife between Carnival and Lent, 1562 / $r Anne Haack Christensen, Eva de la Fuente Pedersen, Aoife Daly, David Buti, Gianluca Pastorelli and Jørgen Wadum -- $t Is Bruegel's sleeping peasant an image of caricature? / $r Yoko Mori -- $t The afterlife of the Detroit Wedding Dance: visual reception, alterations and reinterpretations / $r Yao-Fen You, Ellen Hanspach-Bernal, Christina Bisulca and Aaron Steele -- $t The Antwerp Wedding Dance: a little studied copy after Bruegel the Elder / $r Marie Postec and Pascale Fraiture -- $g Part 3 -- $t Jan Brueghel in context -- $t Copia, copying and painterly eloquence / $r Elizabeth Alice Honig -- $t The master of the Dresden Landscape with the Continence of Scipio: a journeyman in the studio of Jan Brueghel the Elder? / $r Uta Neidhardt -- $t Examination of the Breughel holdings in the Bayerische Staatsgemäldesammlungen, Munich / $r Mirjam Neumeister, Eva Ortner and Jan Schmidt -- $t Jan Brueghel the Elder's oil sketches of animals and birds: form, function and additions to the oeuvre / $r Amy Orrock -- $t Sibling rivalry: Jan Brueghel's rediscovered early Crucifixion / $r Larry Silver -- $g Part 4 -- $t The Bruegel network and legacy -- $t Peasant passions: Pieter Bruegel and his aftermath / $r Ethan Matt Kavaler -- $t Behind the scenes in Pieter Bruegel's 'Success Story': Pieter Coecke's networks and legacy / $r Annick Born -- $t Bruegel and Bueckelaer: contacts and contrasts / $r Lorne Campbell -- $t Max J. Friedländer's perception of Bruegel: rereading the art historian from a historical perspective / $r Hilde Cuvelier -- $t Erasmus's De Copia and Bruegel the Elder's 'inverted' Carrying of the Cross (1564): an 'abundant style' in rhetoric, literature and art? / $r Jamie L. Edwards -- $t Pieter Bruegel the Elder and France / $r Patrick Le Chanu -- $t In search of the Bruegel family's homes and studios in Antwerp / $r Petra Maclot -- $t Breugel's patrons: how 'close viewing' may reveal original ownership / $r Tine Luk Meganck -- $t Pieter Bruegel's The Heath: collectors and connoisseurs / $r Jan Muylle -- $t Bruegel across modes and materials: notes on a painted palace in sixteenth-century Segovia / $r Daan van Heesch -- $t An enigmatic panel-maker from Antwerp and his supply to the Breugels / $r Ingrid Moortgat and Jørgen Wadum -- $t View of the Strait of Messina, by Circle of Pieter Bruegel the Elder: drawing techniques and materials examined / $r Lieve Watteuw, Marina Van Bos, Joris Van Grieken, Maarten Bassens, Bruno Vandermeulen and Hendrik Hameeuw -- $g Addendum -- $t The Dulle Griet: a thematic and synthetic analysis / $r Gaston Vandendriessche (2002), with a foreword by Dominique Vanwijnsberghe -- $g Bibliography -- $g Contributors -- $g Photographic credits.
600 10 $a Bruegel, Pieter, $d approximately 1525-1569 $v Congresses.
600 10 $a Bruegel, Pieter, $d approximately 1525-1569 $x Influence $v Congresses.
600 30 $a Bruegel family $v Congresses.
600 37 $a Bruegel family. $2 fast $0 (OCoLC)fst00217436
600 17 $a Bruegel, Pieter, $d approximately 1525-1569. $2 fast $0 (OCoLC)fst01810029
648  7 $a 1500-1699 $2 fast
650  0 $a Painting, Flemish $y 16th century $x Influence $v Congresses.
650  0 $a Painting, Flemish $y 17th century $x Influence $v Congresses.
650  7 $a Painting, Flemish $x Influence. $2 fast $0 (OCoLC)fst01050826
650  7 $a Influence (Literary, artistic, etc.) $2 fast $0 (OCoLC)fst00972484
655  7 $a Conference papers and proceedings. $2 fast $0 (OCoLC)fst01423772
776 08 $z 9789042943339 $i e-book version
700 1  $a Bruegel, Pieter, $d approximately 1525-1569, $e artist.
700 1  $a Currie, Christina, $e editor.
700 1  $a Allart, Dominique, $e editor.
700 1  $a Fransen, Bart, $e editor.
700 1  $a Stroo, Cyriel, $e editor.
700 1  $a Vanwijnsberghe, Dominique, $e editor.
941    $a 1
952    $l OVUX522 $d 20231117020334.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=84742F4E8FC011ECBA4AA6A62FECA4DB

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