72 records matched your query       

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001 FF7B342C0C2C11EAA2E5F95597128E48
003 SILO
005 20191121010049
008 190118t20182018nyug     b    001 0 eng d
010    $a 2018560225
020    $a 9780190237028
020    $a 0190237023
035    $a (OCoLC)1036764917
040    $a YDX $b eng $e rda $c DLC $d YDX $d WTU $d WEA $d UAB $d ICW $d OCLCO $d SILO
042    $a lccopycat
050 00 $a MT90 $b .A557 2018
082 04 $a 780.922 $2 23
245 00 $a Analytical essays on music by women composers : $b secular & sacred music to 1900 / $c edited by Laurel Parsons and Brenda Ravenscroft.
246 30 $a Secular & sacred music to 1900
264  1 $a New York, NY : $b Oxford University Press, $c [2018]
300    $a xi, 273 pages : $b music ; $c 25 cm.
490 1  $a Analytical essays on music by women composers ; $v volume 1
500    $a Companion website includes musical examples and illustrations, full scores for two works, and video and sound recordings; URL, username and password on page xi of text.
504    $a Includes bibliographical references and index.
520    $a This collection of in-depth analytical essays celebrates music by female composers from the twelfth to nineteenth centuries. The essays, written by leading music theorists and musicologists, examine select compositions in detail, collectively establishing a foundation for new scholarly research into outstanding compositions created by women.
505 00 $g Introduction. $t Amy Beach, "Phantoms," op. 15, no. 2 (1892). Gapped lines and ghostly flowers in Amy Beach's "Phantoms," op. 15, no. 2 / $r Edward D. Latham. $t Early music for voice. $t Hildegard of Bingen, O Ierusalem aurea civitas (ca. 1150-1170): Varied repetition in Hildegard's sequence for St. Rupert : O Ierusalem aurea civitas / $r Jennifer Bain ; $t Maddalena Casulana, "Per lei pos' in oblio" from Cinta di fior (1570): Finding the "air" in Maddalena Casulana's madrigals / $r Peter Schubert ; $t Barbara Strozzi, Appresso ai molli argenti (1659): Consolation amid barbarous misfortune : Barbara Strozzi's Appresso ai molli argenti and the mid-seventeenth-century lament / $r Richard Kolb and Barbara Swanson -- $t Seventeenth- and eighteenth-century keyboard music. $t Elisabeth-Claude Jacquet de La Guerre, Sarabandes from the Suites in A minor (1687) and D minor (1707): In the realm of all the senses : two sarabandes by Elisabeth-Claude Jacquet de La Guerre / $r Susan McClary ; $t Marianna Martines, Sonata in A Major, I (1765): "Zierlichkeit und Genie" : grace and genius in Marianna Martines's Sonata in A major / $r L. Poundie Burstein -- $t Nineteenth-century Lieder and piano music. $t Fanny Hensel, "Von dir, mein Lieb, ich scheiden muss" (1841) and "Ich kann wohl manchmal singen" (1846): Fanny Hensel's schematic fantasies, or, The art of beginning / $r Stephen Rodgers ; $t Josephine Lang, "An einer Quelle" (1840/1853) and "Am Morgen" (1840): Josephine Lang's multiple settings of poems by Christian Reinhold Ko˜stlin / $r Harald Krebs ; $t Clara Schumann, "Liebst du um Scho˜nheit" (1841): Multiply interrupted structure in Clara Schumann's "Liebst du um Scho˜nheit" / $r Michael Baker ; $t Amy Beach, "Phantoms," op. 15, no. 2 (1892). Gapped lines and ghostly flowers in Amy Beach's "Phantoms," op. 15, no. 2 / $r Edward D. Latham.
650  0 $a Music by women composers $x Analysis, appreciation.
650  0 $a Music $x Analysis, appreciation.
650  7 $a Women composers. $2 fast $0 (OCoLC)fst01177510
650  7 $a Composition (Music) $2 fast $0 (OCoLC)fst00871761
650  7 $a Musical analysis. $2 fast $0 (OCoLC)fst01030696
700 1  $a Parsons, Laurel, $e editor.
700 1  $a Ravenscroft, Brenda, $d 1961- $e editor.
830  0 $a Analytical essays on music by women composers ; $v v. 1.
941    $a 2
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952    $l OVUX522 $d 20220317024104.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=FF7B342C0C2C11EAA2E5F95597128E48