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03427aam a2200397 i 4500 001 ABD975E6A55F11EAA027EF1497128E48 003 SILO 005 20200603010033 007 qu 008 190426t20202020nyuag b 001 0 eng 010 $a 2019020716 020 $a 0190066822 020 $a 9780190066826 035 $a (OCoLC)1099541281 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d YDX $d BDX $d OCLCF $d UKMGB $d ERASA $d SLV $d YDX $d TJC $d SILO 042 $a pcc 050 00 $a ML410.D28 $b J64 2020 082 00 $a 780.92 $2 23 100 1 $a Johnson, Julian $e author. 245 10 $a After Debussy : $b music, language, and the margins of philosophy / $c Julian Johnson. 264 1 $a New York, NY : $b Oxford University Press, $c [2020] 300 $a xix, 373 pages : $b illustrations (some color), music ; $c 25 cm 504 $a Includes bibliographical references (pages 353-363) and index. 505 0 $a Prologue : Music and language -- Part I : Saying nothing. SireÌnes ; MeÌlisande and the silence of music ; MallarmeÌ and the edge of language -- Part II : Appearing. Coming to presence ; Mirrors ; Taking place -- Part III : Touching. The art of touch ; Writing the body ; Thinking in sound -- Epilogue : Being musical. 520 8 $a Classical music shows a close relationship to language, and both musicology and philosophy have tended to approach music from that angle, exploring it in terms of expression, representation, and discourse. This book turns that idea on its head. Focusing on the music of Debussy and its legacy in the century since his death, After Debussy offers a groundbreaking new perspective on twentieth-century music that foregrounds a sensory logic of sound over quasi-linguistic ideas of structure or meaning. Author Julian Johnson argues that Debussy's music exemplifies this idea, influencing the music of successive composers who took up the mantle of emphasizing sound over syntax, sense over signification. In doing so, this music not only anticipates a central problem of contemporary thought-the gap between language and our embodied relation to the world-but also offers a solution. 0With a readable narrative structure grounded in an impressive body of literature, After Debussy ranges widely across French music, demonstrating the impact of Debussy's music on composers from Faure and Ravel to Dutilleux, Boulez, Grisey, Murail and Saariaho. It ranges similarly through a set of French writers and philosophers, from Mallarme and Proust to Merleau-Ponty, Jankelevitch, Derrida, Lyotard and Nancy, and even draws from the visual arts to help embody key ideas. In accessibly tackling substantial ideas of both musicology and philosophy, this book not only presents bold new ways of understanding each discipline but also lays the groundwork for exciting new discourse between them. -- $c Book jacket. 600 10 $a Debussy, Claude, $d 1862-1918 $x Criticism and interpretation. 600 17 $a Debussy, Claude, $d 1862-1918. $2 fast $0 (OCoLC)fst00045701 650 0 $a Music $x Philosophy and aesthetics. 650 0 $a Music and language. 650 7 $a Music and language. $2 fast $0 (OCoLC)fst01030478 650 7 $a Music $x Philosophy and aesthetics. $2 fast $0 (OCoLC)fst01030408 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 941 $a 1 952 $l USUX851 $d 20230302014030.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=ABD975E6A55F11EAA027EF1497128E48 994 $a 92 $b IWAInitiate Another SILO Locator Search