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03567aam a2200409 i 4500 001 03EB11DA2FC611E7A3652FCCDAD10320 003 SILO 005 20170503010126 008 151203t20162016mdug b 001 0 eng 010 $a 2015047645 020 $a 1421420627 020 $a 9781421420622 035 $a (OCoLC)932003648 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d OCLCO $d OCLCQ $d YDXCP $d BTCTA $d BDX $d OCL $d ERASA $d YDX $d OCLCO $d JHP $d SILO 042 $a pcc 050 00 $a ML1705 $b .M63 2016 082 00 $a 782.109/04 $2 23 245 00 $a Modernism and opera / $c edited by Richard Begam and Matthew Wilson Smith. 264 1 $a Baltimore, Maryland : $b Johns Hopkins University Press, $c 2016. 300 $a viii, 378 pages : $b music ; $c 24 cm. 490 1 $a Hopkins studies in modernism 504 $a Includes bibliographical references and index. 505 00 $t Saariaho's L'amour de loin : modernist opera in the twenty-first century / $r Joy H. Calico. $t Maeterlinck, Debussy, and modernism / $r Daniel Albright -- $t Echoes of the self : cosmic loneliness in Bartok's Duke Bluebeard's castle / $r Klara Moricz -- $t The great war and its aftermath : Strauss and Hofmannsthal's "third-way modernism" / $r Bryan Gilliam -- $t Adorno's shifting Wozzeck / $r Bernadette Meyler -- $t Many modernisms, two Makropulos cases : Capek, Janacek, and the shifting avant-gardes of interwar Prague / $r Derek Katz -- $t Schoenberg, modernism, and degeneracy / $r Richard Begam -- $t Gertrude Stein, minimalism, and modern opera / $r Cyrena N. Pondrom -- $t Stravinsky, Auden, and the midcentury modernism of The rake's progress / $r Herbert Lindenberger -- $t Gloriana and the new Elizabethan age / $r Irene Morra -- $t One saint in eight tableaux : the untimely modernism of Olivier Messiaen's Saint Francʹois d'Assise / $r Linda Hutcheon and Michael Hutcheon -- $t Saariaho's L'amour de loin : modernist opera in the twenty-first century / $r Joy H. Calico. 520 8 $a "At first glance, modernism and opera may seem like strange bedfellows--the former hostile to sentiment, the latter wearing its heart on its sleeve. And yet these apparent opposites attract: many operas are aesthetically avant-garde, politically subversive, and socially transgressive. From the proto-modernist strains of Richard Wagner's Parsifal through the twenty-first-century modernism of Kaija Saariaho's L'amour de loin, the duet between modernism and opera, at turns harmonious and dissonant, has been one of the central artistic events of modernity. Despite this centrality, scholars of modernist literature only rarely venture into opera, and music scholars generally return the favor by leaving literature to one side. But opera, that grand cauldron of the arts, demands that scholars, too, share the stage with one another. In Modernism and Opera, Richard Begam and Matthew Wilson Smith bring together musicologists, literary critics, and theater scholars for the first time in a mutual endeavor to trace certain key moments in the history of modernism and opera."--Book jacket. 650 0 $a Opera $y 20th century. 650 0 $a Modernism (Music) 650 7 $a Modernism (Music) $2 fast $0 (OCoLC)fst01736351 650 7 $a Opera. $2 fast $0 (OCoLC)fst01046145 648 7 $a 1900-1999 $2 fast 700 1 $a Begam, Richard, $d 1950- $e editor. 700 1 $a Smith, Matthew Wilson, $e editor. 830 0 $a Hopkins studies in modernism. 941 $a 2 952 $l USUX851 $d 20210707014802.0 952 $l SOAX911 $d 20171206010857.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=03EB11DA2FC611E7A3652FCCDAD10320 994 $a 92 $b IWAInitiate Another SILO Locator Search