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05901aam a2200577 i 4500 001 6725F40EE9E911EBBBC9467A3DECA4DB 003 SILO 005 20210721010052 008 200520s2020 enk b 001 0 eng d 020 $a 178831350X 020 $a 9781788313506 035 $a (OCoLC)1180068281 040 $a UKMGB $b eng $e rda $c UKMGB $d ERASA $d OCLCO $d YDX $d OCLCF $d PAU $d EEM $d OCL $d OCLCO $d NUI $d SILO 043 $a e-ru--- $a e-un--- $a e-bw--- $a e-ru--- 050 4 $a PN2724.2 $b .N49 2020 082 04 $a 792.0947 $2 23 082 04 $a 891.72509 $2 23 245 00 $a New drama in Russian : $b performance, politics and protest in Russia, Ukraine and Belarus / $c edited by J.A.E. Curtis. 264 1 $a London, UK ; $b Bloomsbury Academic, $c 2020. 300 $a xii, 276 pages ; $c 24 cm. 490 1 $a Library of Modern Russia 520 8 $a How and why does the stage, and those who perform upon it, play such a significant role in the social makeup of modern Russia, Ukraine and Belarus? In New Drama in Russian, Julie Curtis brings together an international team of leading scholars and practitioners to tackle this complex question. New Drama, which draws heavily on techniques of documentary and verbatim writing, is a key means of protest in the Russian-speaking world; since the fall of the Soviet Union in 1991, theatres, dramatists, and critics have collaborated in using the genre as a lens through which to explore a wide range of topics from human rights and state oppression to sexuality and racism. Yet surprisingly little has been written on this important theatrical movement. New Drama in Russian rectifies this. Through providing analytical surveys of this outspoken transnational genre alongside case-studies of plays and interviews with playwrights, this volume sheds much-needed light on the key issues of performance, politics, and protest in Russia, Ukraine and Belarus. Meticulously researched and elegantly argued, this book will be of immense value to scholars of Russian cultural history and post-Soviet literary studies. 504 $a Includes bibliographical references and index. 505 00 $g 18. $t The artistic space shared by Eastern Slavs, and the ways in which that is created: The Way People Love by the Belarusian dramatist / $g 1. $t The story of Russian-language drama since 2000: PostDoc, the postdramatic and Teatr Post / $r Dmitry Bogoslavsky Natalia Osis. $g 2. $t Giving testimony in the face of an authoritarian regime: The evolution of documentary forms at Teatr.doc, the KnAM Theatre and the Belarus Free Theatre / $r Lucie Kempf -- $g 3. $t From Stalinist Socialist Realism to Putinist Capitalist Realism: Tracing cultural ideology in contemporary Russia / $r Alexander Trustrum Thomas -- $g 4. $t Conversation with Mikhail Durnenkov and Maria Kroupnik (Liubimovka Festival, Moscow, September 2017) / $r J.A.E. Curtis -- $g 5. $t `Class Act' in Russia and Ukraine: Youth drama projects and social theatre practice / $r Maria Kroupnik -- $g 6. $t Conversation with Sasha Denisova (Moscow, October 2013) / $r Susanna Weygandt -- $g 7. $t Conversation with Ivan Vyrypaev (Moscow, May 2013) / $r Susanna Weygandt -- $g 8. $t Absence on stage in Ivan Vyrypaev's July / $r Valeriia Mutc -- $g pt. II $t Ukraine -- $g 9. $t The watershed year of 2014: The `birth' of Ukrainian New Drama / $r Noah Birksted-Breen -- $g 10. $t The playwright overlooked: Personal reflections on two years in Ukrainian theatre (2017 -- 19) / $r Jack Clover -- $g 11. $t A new `dawn' in Ukrainian theatre: A conversation with Maksym Kurochkin (April 2019) / $r Jack Clover -- $g 12. $t Stages of change: Ukraine's Theatre of Displaced People / $r Molly Flynn -- $g 13. $t `Ne skvernoslov', otets moy' [`Curse not, my son']: Anna Iablonskaia's The Pagans and the search for a language of authenticity / $r Molly Thomasy Biasing -- $g 14. $t Natal'ia Vorozhbyt's Viy. Autoethnography through a Gogolian lens / $r Jessica Hinds-Bond -- $g pt. III $t Belarus -- $g 15. $t The transformation of the language of `New Drama' in Belarus, as a reflection of a new model of identity / $r Tania Arcimovich -- $g 16. $t Conversation with Natalia Koliada, Belarus Free Theatre (London, March 2019) / $r J. A. E. Curtis -- $g 17. $t Pavel Priazhko: the Text as an Instant Photograph (2012); Conversation with Pavel Priazhko (2011); Essay on Pavel Priazhko's methods / $r Tania Arcimovich -- $g 18. $t The artistic space shared by Eastern Slavs, and the ways in which that is created: The Way People Love by the Belarusian dramatist / $r Dmitry Bogoslavsky Natalia Osis. 600 10 $a Vorozhbit, Natalʹiï¸ a︡. 648 7 $a 2000-2099 $2 fast 650 0 $a Russian drama $y 21st century $x History and criticism. 650 0 $a Ukrainian drama $y 21st century $x History and criticism. 650 0 $a Belarusian drama $y 21st century $x History and criticism. 650 0 $a Radical theater $z Russia. 650 0 $a Radical theater $z Ukraine. 650 0 $a Radical theater $z Belarus. 650 0 $a Theater $x Political aspects $z Russia (Federation) 650 0 $a Theater $x Political aspects $z Ukraine. 650 0 $a Theater $x Political aspects $z Belarus. 650 7 $a Ukrainian drama. $2 fast $0 (OCoLC)fst01160436 650 7 $a Theater $x Political aspects. $2 fast $0 (OCoLC)fst01149276 650 7 $a Belarusian drama. $2 fast $0 (OCoLC)fst00829995 650 7 $a Radical theater. $2 fast $0 (OCoLC)fst01741618 650 7 $a Russian drama. $2 fast $0 (OCoLC)fst01102001 651 7 $a Russia (Federation) $2 fast $0 (OCoLC)fst01262050 651 7 $a Belarus. $2 fast $0 (OCoLC)fst01260637 651 7 $a Russia. $2 fast $0 (OCoLC)fst01207312 651 7 $a Ukraine. $2 fast $0 (OCoLC)fst01211738 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i ebook version : $z 9781350142480 700 1 $a Curtis, J. A. E. $q (Julie A. E.), $e editor. 830 0 $a Library of modern Russia. 941 $a 1 952 $l OVUX522 $d 20231020023558.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=6725F40EE9E911EBBBC9467A3DECA4DBInitiate Another SILO Locator Search