The Locator -- [(title = "Becoming human ")]

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03163aam a2200385Ka 4500
001 3137852866BD11E2809D11EEDAD10320
003 SILO
005 20130125010048
008 120827s2012    enka   a b    101 0 eng c
020    $a 1908590432 (pbk.)
020    $a 9781908590435 (pbk.)
022    $a 13529986
035    $a (OCoLC)811970449
040    $a UKMGB $b eng $c CNNGC $d OCLCO $d QGK $d YDXCP $d SILO
041 0  $a eng $b fre
050 14 $a N8243.S576 $b S53 2012
245 04 $a The slave in European art : $b from Renaissance trophy to abolitionist emblem / $c edited by Elizabeth McGrath and Jean Michel Massing.
246 30 $a From Renaissance trophy to abolitionist emblem.
260    $a London : $b Warburg Institute ; $c 2012.
300    $a x, 386 p. : $b ill. (some col.) ; $c 25 cm.
490 1  $a Warburg Institute Colloquia ; $v 20.
505 0  $g 4. $t Abolitionists, African diplomats and 'the Black Joke' in George Gruikshank's The New Union Club / $t Caryatids, page boys, and African fetters: themes of slavery in European art / $r Temi Odumosu. $t Allegory and ambiguity in Michelangelo's 'Slaves' / $r Charles Robertson -- $t L'esclavage comme métaphore religieuse dans l'iconographie de l'ordre des Trinitaires / $r Jean-Luc Liez -- $g 2. $t Galley slaves and Moorish captives: -- $t The iconography of Mediterranean slavery in the seventeenth century / $r Jean Michel Massing -- $t Messina 1535 to Lepanto 1571: Vasari, Borghini and the imagery of the Moors, Barbarians and Turks / $r Rick Scorza -- $t From Borgo Pinti to Doccia: the afterlife of Pietro Tacca's Moors for Livorno / $r Anthea Brook -- $g 3. $t Europe, the Americas and the slave trade: -- $t The urban slave in Spain and New Spain / $r Carmen Fracchia -- $t Black slavery and the 'mulatto escape hatch' in the Brazilian ensembles of Frans Post and Albert Eckhout / $r Ernst van den Boogart -- $t Becoming human: the iconography of black slavery in French, British and Dutch book illustrations c. 1600-c. 1800 / $r Elmer Kolfin -- $g 4. $t Abolitionism and its critics: -- $t George Moreland's 'Slave Trade' and 'African Hospitality': slavery, sentiment and the limits of the abolitionists image / $r Meredith Gamer -- $t 'They are happy people': some newly identified pro-slavery caricatures from the age of abolition / $r David Bindman -- $t Abolitionists, African diplomats and 'the Black Joke' in George Gruikshank's The New Union Club / $r Temi Odumosu.
500    $a "This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800..." --Preface.
504    $a Includes bibliographical reference and index.
546    $a Text in English with some text in French.
650  0 $a Slavery in art $v Congresses.
650  0 $a Art, European $v Congresses.
700 1  $a McGrath, Elizabeth.
700 1  $a Massing, Jean Michel.
710 2  $a Warburg Institute.
830  0 $a Warburg Institute colloquia ; $v 20.
941    $a 2
952    $l OVUX522 $d 20171223052902.0
952    $l UNUX074 $d 20130125012715.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3137852866BD11E2809D11EEDAD10320

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