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03163aam a2200385Ka 4500 001 3137852866BD11E2809D11EEDAD10320 003 SILO 005 20130125010048 008 120827s2012 enka a b 101 0 eng c 020 $a 1908590432 (pbk.) 020 $a 9781908590435 (pbk.) 022 $a 13529986 035 $a (OCoLC)811970449 040 $a UKMGB $b eng $c CNNGC $d OCLCO $d QGK $d YDXCP $d SILO 041 0 $a eng $b fre 050 14 $a N8243.S576 $b S53 2012 245 04 $a The slave in European art : $b from Renaissance trophy to abolitionist emblem / $c edited by Elizabeth McGrath and Jean Michel Massing. 246 30 $a From Renaissance trophy to abolitionist emblem. 260 $a London : $b Warburg Institute ; $c 2012. 300 $a x, 386 p. : $b ill. (some col.) ; $c 25 cm. 490 1 $a Warburg Institute Colloquia ; $v 20. 505 0 $g 4. $t Abolitionists, African diplomats and 'the Black Joke' in George Gruikshank's The New Union Club / $t Caryatids, page boys, and African fetters: themes of slavery in European art / $r Temi Odumosu. $t Allegory and ambiguity in Michelangelo's 'Slaves' / $r Charles Robertson -- $t L'esclavage comme meÌtaphore religieuse dans l'iconographie de l'ordre des Trinitaires / $r Jean-Luc Liez -- $g 2. $t Galley slaves and Moorish captives: -- $t The iconography of Mediterranean slavery in the seventeenth century / $r Jean Michel Massing -- $t Messina 1535 to Lepanto 1571: Vasari, Borghini and the imagery of the Moors, Barbarians and Turks / $r Rick Scorza -- $t From Borgo Pinti to Doccia: the afterlife of Pietro Tacca's Moors for Livorno / $r Anthea Brook -- $g 3. $t Europe, the Americas and the slave trade: -- $t The urban slave in Spain and New Spain / $r Carmen Fracchia -- $t Black slavery and the 'mulatto escape hatch' in the Brazilian ensembles of Frans Post and Albert Eckhout / $r Ernst van den Boogart -- $t Becoming human: the iconography of black slavery in French, British and Dutch book illustrations c. 1600-c. 1800 / $r Elmer Kolfin -- $g 4. $t Abolitionism and its critics: -- $t George Moreland's 'Slave Trade' and 'African Hospitality': slavery, sentiment and the limits of the abolitionists image / $r Meredith Gamer -- $t 'They are happy people': some newly identified pro-slavery caricatures from the age of abolition / $r David Bindman -- $t Abolitionists, African diplomats and 'the Black Joke' in George Gruikshank's The New Union Club / $r Temi Odumosu. 500 $a "This volume had its origin in a conference held at the Warburg Institute in 2007, the bicentenary of the ending of the slave trade by Britain. [The conference was] entitled "The Iconography of Slavery in Europe, 1500-1800..." --Preface. 504 $a Includes bibliographical reference and index. 546 $a Text in English with some text in French. 650 0 $a Slavery in art $v Congresses. 650 0 $a Art, European $v Congresses. 700 1 $a McGrath, Elizabeth. 700 1 $a Massing, Jean Michel. 710 2 $a Warburg Institute. 830 0 $a Warburg Institute colloquia ; $v 20. 941 $a 2 952 $l OVUX522 $d 20171223052902.0 952 $l UNUX074 $d 20130125012715.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3137852866BD11E2809D11EEDAD10320Initiate Another SILO Locator Search