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05258aam a2200469Ii 4500 001 BDE763F00C2C11EAA2E5F95597128E48 003 SILO 005 20191121010049 008 180525t20182018sz b 001 0 eng d 010 $a 2018936609 020 $a 3319764209 020 $a 9783319764207 035 $a (OCoLC)1038006848 040 $a ERASA $b eng $e rda $c ERASA $d YDX $d BDX $d OCLCO $d CDX $d IUL $d PAU $d U3G $d CHVBK $d OCLCO $d UKMGB $d OHX $d UtOrBLW $d SILO 043 $a n-us--- $0 http://id.loc.gov/vocabulary/geographicAreas/n-us 050 4 $a PN1998.3.M3388 $b B38 2018 082 04 $a 791.4302/33092 $2 23 100 1 $a Batcho, James, $e author. $0 http://id.loc.gov/authorities/names/no2018106676 245 10 $a Terrence Malick's unseeing cinema : $b memory, time and audibility / $c James Batcho. 264 1 $a Cham, Switzerland : $b Palgrave Macmillan, $c [2018] 300 $a xv, 201 pages ; $c 23 cm 504 $a Includes bibliographical references and index. 520 $a This unique study opens up a new dimension of Terrence Malick's cinema - its expressions of unseeing and hearing. "Unseeing" is Malick's means of transcending the moment in order to enter the life that unfolds; to treat cinema as a real experience for those who live its reality. In this way, the book moves beyond film theory to advance a work of original philosophy, bringing together two thinkers not normally associated with one another: Gilles Deleuze and Søren Kierkegaard. It investigates how Malick's gatherings of time allow one to explore new philosophical questions about immanence and transcendence, ethics and faith, time and infinity, and the foldings of subjectivity that are central to both philosophers. Beyond cinema, it offers a way to think about our everyday repetitions and recollections and our ephemeral points of connection with those we love. 505 00 $a Machine generated contents note: $g 7. $t References. $t Unseeing, Audibility, and Logos -- $t Deleuze and Kierkegaard: Repetition and Unseeing -- $t Logos, Ethics, Faith, and God -- $t The Audible Faculty in Repetition -- $t References -- $g 2. $t Unseeing -- $t Problems of Language and Representation -- $t Film Semiology and Its Structures -- $t Deleuze's "Utterable" -- $t Sound Theory and the Hegemony of the Material Image -- $t Unseeing: Deterritorializing Space, Reterritorializing Time -- $t The Matrix of Events -- $t An Immanent Gathering -- $t References -- $g 3. $t Logos of Cinema -- $t The Transcendental Immanence of Thought -- $t A Cinematic Empathy -- $t Beyond the Audiovisual: New Dimensions in Unseeing -- $t Audible Threads: Subjectivity, Madness and the Fold -- $t "Life Within the Folds" -- $t Kierkegaard's Anxiety of Subjectivity -- $t Opening Unseeing to the Crystalline and the Hodological -- $t From Simultaneity to Coexistence -- $t Coppola's The Conversation: Simultaneity and Crystalline Audibility -- $t Terrence Malick's Logos -- $t Malick's Expressions of Nature -- $t Creating the New from the Past -- $t Cinema as Logos -- $t References -- $g 4. $t Days of Heaven and Hell -- $t Mixing: The Process of Differentiation -- $t Audible Differentiation in Malick -- $t A Heraclitean Lesson -- $t First: Hearing -- $t Second: Listening -- $t Third: Nomos -- $t References -- $g 5. $t Malick's Temporal Shift -- $t Repetition and Coexistence: Malick's Expressions of Immanence -- $t Cinematic Leaps in Time -- $t Dreaming and the In-Between -- $t Malick's Time and Becoming -- $t Fragments of Unseeing: The Thin Red Line Through The Tree of Life -- $t Pages of a Life: Memory and Dreams in Coexistence -- $t After The Tree of Life: Adrift in the Repetitions of Habit -- $t Narration: Layering Time, Speaking the Unspoken -- $t Malick's Voices -- $t Rupturing the Authority of the Voice -- $t References -- $g 6. $t Listening to the Logos -- $t Hearing that Listens; Listening that Continues to Hear -- $t The Thin Red Line: Listening for the Now -- $t The New World: Listening to Meaning -- $t Tendere and Tension -- $t The Tree of Life: Listening Beyond Memory -- $t The Act of Transferring and the Limits of Logos -- $t Malick's Ethics: A Time of Forgiveness -- $t References -- $g 7. $t Continuer -- $t References. 600 10 $a Malick, Terrence, $d 1943- $x Criticism and interpretation. 600 17 $a Malick, Terrence, $d 1943- $2 fast $0 (OCoLC)fst00191776 600 17 $a Malick, Terrence, $d 1943- $2 gnd $0 (DE-588)128538805 650 0 $a Motion picture producers and directors $z United States. $0 http://id.loc.gov/authorities/subjects/sh87006130 650 0 $a Motion pictures $x Philosophy. $0 http://id.loc.gov/authorities/subjects/sh2008108033 650 7 $a Motion picture producers and directors. $2 fast $0 (OCoLC)fst01027225 650 7 $a Motion pictures $x Philosophy. $2 fast $0 (OCoLC)fst01027348 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 650 7 $a Film. $2 gnd $0 (DE-588)4017102-4 650 7 $a Immanenz. $2 gnd $0 (DE-588)4161341-7 650 7 $a Philosophie. $2 gnd $0 (DE-588)4045791-6 650 7 $a Transzendenz. $2 gnd $0 (DE-588)4060724-0 650 7 $a Zeitlichkeit. $2 gnd $0 (DE-588)4134190-9 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 776 08 $i ebook version : $z 9783319764214 941 $a 1 952 $l OVUX522 $d 20191121012645.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BDE763F00C2C11EAA2E5F95597128E48Initiate Another SILO Locator Search