The Locator -- [(title = "collector ")]

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03797aam a2200529 i 4500
001 DBE50C90AE9011EDA0B1416654ECA4DB
003 SILO
005 20230217010059
008 220224t20232023nyua     b    001 0 eng  
010    $a 2022009438
020    $a 1032119675
020    $a 9781032119670
020    $a 1032117079
020    $a 9781032117072
035    $a (OCoLC)1301480693
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d UKMGB $d ERASA $d SYB $d YDX $d SILO
042    $a pcc
043    $a e-it---
050 00 $a N5273 $b .L59 2023
082 00 $a 707.9/4563209032 $2 23/eng/20220521
100 1  $a Lloyd, Karen J. $q (Karen Jean), $e author. $4 aut
245 10 $a Art, patronage, and nepotism in early modern Rome / $c Karen J. Lloyd.
264  1 $a New York : $b Routledge, Taylor & Francis Group, $c 2023.
300    $a xiv, 267 pages : $b illustrations (some color) ; $c 26 cm.
490 1  $a Visual culture in early modernity
504    $a Includes bibliographical references and index.
505 00 $g Conclusion. $g Introduction. $t Order. Flavio Chigi and the Ex-Cardinal Nephew as Collector -- $g (Part I. $t The Cardinal nephew). $t Obedience. Scipione Borghese and the Cardinal Nephew as Servant -- $t Prudence. Paluzzo Altieri and the Cardinal Nephew as 'Padrone' -- $g (Part II. $t The ex-Cardinal nephew). $t 'Pietas.' Francesco Barberini and the Ex-Cardinal Nephew as Model -- $t Fidelity. Paluzzo Altieri and the Ex-Cardinal Nephew as 'Intimo' -- $t Order. Flavio Chigi and the Ex-Cardinal Nephew as Collector -- $g Conclusion.
520    $a "Drawing on rich archival research and focusing on works by leading artists including Guido Reni and Gian Lorenzo Bernini, Karen J. Lloyd demonstrates that cardinal nephews in seventeenth-century Rome - those nephews who were raised to the cardinalate as princes of the Church - used the arts to cultivate more than splendid social status. Through politically savvy frescos and emotionally evocative displays of paintings, sculpture, and curiosities, cardinal nephews aimed to define nepotism as good Catholic rule. Their commissions took advantage of their unique position close to the pope, embedding the defense of their role into the physical fabric of authority, from the storied vaults of the Vatican Palace to the sensuous garden villas that fused business and pleasure in the Eternal City. This book uncovers how cardinal nephews crafted a seductively potent dialogue on the nature of power, fueling the development of innovative visual forms that championed themselves as the indispensable heart of papal politics."-- $c Page i.
521    $a "The book will be of interest to scholars working in art history, early modern studies, religious history, and political history."--Page i.
545 0  $a Karen J. Lloyd: Assistant Professor at Stony Brook University Department of Art.
650  0 $a Art patronage $z Rome $z Rome $x History $y 17th century.
650  0 $a Nepotism $z Rome $z Rome $x History $y 17th century.
650  0 $a Cardinals $z Rome $z Rome $x History $y 17th century.
650  0 $a Popes $x Family relationships.
650  0 $a Papacy $x History $y 1566-1799.
650  7 $a Art patronage. $2 fast $0 (OCoLC)fst00815756
650  7 $a Cardinals. $2 fast $0 (OCoLC)fst00847097
650  7 $a Nepotism. $2 fast $0 (OCoLC)fst01036006
650  7 $a Papacy. $2 fast $0 (OCoLC)fst01052284
651  7 $a Italy $z Rome. $2 fast $0 (OCoLC)fst01204500
648  7 $a 1566-1799 $2 fast
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
776 08 $i Online version: $a Lloyd, Karen J. (Karen Jean) $t Art, patronage, and nepotism in early modern Rome $d New York : Routledge, 2022 $z 9781003222385 $w (DLC)  2022009439
830  0 $a Visual culture in early modernity.
941    $a 1
952    $l OVUX522 $d 20231117032238.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=DBE50C90AE9011EDA0B1416654ECA4DB

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