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03744aam a22004818i 4500 001 C840EC581D7611EA83B92C1397128E48 003 SILO 005 20191213010258 008 190405s2019 stka b 001 0 eng d 020 $a 1474452728 020 $a 9781474452724 020 $a 147445271X 020 $a 9781474452717 035 $a (OCoLC)1099314830 040 $a UKMGB $b eng $e rda $c UKMGB $d OCLCO $d PAU $d YDXIT $d CBY $d OCLCF $d UtOrBLW $d SILO 050 4 $a PR651 $b .K37 2019 050 4 $a PR646 $b .K37 2019 082 04 $a 822.3093561 $2 23 100 1 $a Karim-Cooper, Farah, $e author. $0 http://id.loc.gov/authorities/names/no2006102094 245 10 $a Cosmetics in Shakespearean and Renaissance drama / $c Farah Karim-Cooper. 250 $a Revised edition. 264 1 $a Edinburgh : $b Edinburgh University Press, $c [2019] 300 $a v, 224 pages : $b illustrations (black and white) ; $c 24 cm 500 $a "First published in hardback by Edinburgh University Press, 2006, and in paperback in 2012"--Title page verso. 504 $a Includes bibliographical references and index. 505 0 $a List of illustrations -- Acknowledgements -- Defining beauty in Renaissance culture -- Early modern cosmetic culture -- Cosmetic restoration in Jacobean tragedy -- John Webster and the culture of cosmetics -- Jonson's cosmetic ritual -- Cosmetics and poetics in Shakespearean comedy -- "Deceived with ornament": Shakespeare's Venice -- "Flattering unction": cosmetics in Hamlet -- Epilogue -- Bibliography -- Index. 520 $a This revised edition examines how the plays of Shakespeare and his contemporaries dramatize the Renaissance preoccupation with cosmetics. The author explores the then-contentious issue of female beauty and identifies a "culture of cosmetics", which finds its visual identity on the early modern stage. She also examines cosmetic recipes and anti-cosmetic literature focusing on their relationship to drama in its representations of gender, race, politics and beauty. This book offers a new analysis of the construction of whiteness as a racial signifier; provides an original insight into women's cosmetic practice through an exploration of ingredients, methods and materials used to create cosmetics and the perception of make-up in Shakespeare's time; includes numerous cosmetic recipes from the early modern period found in printed books and never published in a modern edition. 600 10 $a Shakespeare, William, $d 1564-1616 $x Criticism and interpretation. $0 http://id.loc.gov/authorities/subjects/sh85120926 600 17 $a Shakespeare, William, $d 1564-1616. $2 fast $0 (OCoLC)fst00029048 648 7 $a 1500-1699 $2 fast 650 0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008103081 650 0 $a Beauty, Personal, in literature. $0 http://id.loc.gov/authorities/subjects/sh85012721 650 0 $a Cosmetics $x History. $0 http://id.loc.gov/authorities/subjects/sh2009122058 650 0 $a English drama $y 17th century $x History and criticism. $0 http://id.loc.gov/authorities/subjects/sh2008103082 650 7 $a Beauty, Personal, in literature. $2 fast $0 (OCoLC)fst00829411 650 7 $a Cosmetics. $2 fast $0 (OCoLC)fst00880500 650 7 $a English drama. $2 fast $0 (OCoLC)fst00910737 650 7 $a English drama $x Early modern and Elizabethan. $2 fast $0 (OCoLC)fst01710950 655 7 $a Criticism, interpretation, etc. $2 fast $0 http://id.worldcat.org/fast/1411635 $0 http://id.worldcat.org/fast/1411635 655 7 $a History. $2 fast $0 http://id.worldcat.org/fast/1411628 $0 http://id.worldcat.org/fast/1411628 941 $a 1 952 $l OVUX522 $d 20191213014953.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=C840EC581D7611EA83B92C1397128E48Initiate Another SILO Locator Search