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03815aam a2200445 i 4500 001 B3A8D312586511EA978CCE3397128E48 003 SILO 005 20200226010029 008 190215s2019 enkag b 001 0 eng 010 $a 2019007845 020 $a 1107111250 020 $a 9781107111257 035 $a (OCoLC)1085965088 040 $a DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d OCL $d ERASA $d UKMGB $d TJC $d CHVBK $d OCLCO $d BNG $d SILO 042 $a pcc 050 00 $a ML1705 $b .N56 2019 082 00 $a 782.109/034 $2 23 245 00 $a Nineteenth-century opera and the scientific imagination / $c edited by David Trippett, Benjamin Walton. 246 3 $a 19th-century opera and the scientific imagination 264 1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2019. 300 $a xv, 381 pages : $b illustrations (black and white), music ; $c 26 cm 504 $a Includes bibliographical references (pages 335-374) and index. 505 00 $g Part IV. $t Unsound seeds / $r Alexander Rehding. $g Part I. $t Voices. $t Pneumotypes : Jean de Reszke's high pianissimos and the occult sciences of breathing / $r James Q. Davies ; $t Vocal culture in the age of laryngoscopy / $r Benjamin Steege ; $t Operatic fantasies in early nineteenth-century psychiatry / $r Carmel Raz ; $t Opera and hypnosis : Victor Maurel's experiments with Verdi's Otello / $r Celine Frigau Manning -- $g Part II. $t Ears. $t Hearing in the music of Hector Berlioz / $r Julia Kursell ; $t From distant sounds to Aeolian ears : Ernst Kapp's auditory prosthesis / $r David Trippett ; $t Wagner, hearing loss and the urban soundscape of nineteenth-century Germany / $r James Deaville -- $g Part III. $t Technologies. $t Science, technology and love in late eighteenth-century opera / $r Deirdre Loughridge ; $t Technological phantoms of the Opera / $r Benjamin Walton ; $t Circuit listening / $r Ellen Lockhart -- $g Part IV. $t Bodies. $t Excelsior as mass ornament : the reproduction of gesture / $r Gavin Williams ; $t Automata, physiology and opera in the nineteenth century / $r Myles W. Jackson ; $t Wagnerian manipulation : Bayreuth and nineteenth-century sciences of the mind / $r James Kennaway ; $t Unsound seeds / $r Alexander Rehding. 520 8 $a Scientific thinking has long been linked to music theory and instrument making, yet the profound and often surprising intersections between the sciences and opera during the long nineteenth century are here explored for the first time. These touch on a wide variety of topics, including vocal physiology, theories of listening and sensory communication, technologies of theatrical machinery and discourses of biological degeneration. Taken together, the chapters reveal an intertwined cultural history that extends from backstage hydraulics to drawing-room hypnotism, and from laryngoscopy to theatrical aeronautics. Situated at the intersection of opera studies and the history of science, the book therefore offers a novel and illuminating set of case studies, of a kind that will appeal to historians of both science and opera, and of European culture more generally from the French Revolution to the end of the Victorian period.--Book jacket. 650 0 $a Opera $y 19th century. 650 0 $a Music and science $x History $y 19th century. 650 7 $a Music and science. $2 fast $0 (OCoLC)fst01030488 650 7 $a Opera. $2 fast $0 (OCoLC)fst01046145 650 7 $a Oper $2 gnd 650 7 $a Wissenschaft $2 gnd 650 7 $a Wissenschaft $g Motiv $2 gnd 648 7 $a 1800-1899 $2 fast 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 700 1 $a Trippett, David, $d 1980- $e editor. 700 1 $a Walton, Benjamin, $d 1972- $e editor. 776 08 $i ebook version : $z 9781316996997 941 $a 2 952 $l OVUX522 $d 20231017013605.0 952 $l USUX851 $d 20200806025459.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=B3A8D312586511EA978CCE3397128E48Initiate Another SILO Locator Search