The Locator -- [(title = "Gainsborough;")]

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03234aam a2200385Ii 4500
001 F29C4E403F1711E98434DF6697128E48
003 SILO
005 20190305011820
008 180802t20182018enkabj   bc   001 0 eng d
020    $a 1855147904
020    $a 9781855147904
035    $a (OCoLC)1048332469
040    $a ERASA $b eng $e rda $c ERASA $d QGJ $d HUV $d OCLCF $d UKMGB $d QGJ $d CHVBK $d OCLCO $d YDX $d NLGGC $d FDA $d BOS $d SILO
050  4 $a ND497 G2 A4 2018
100 1  $a Solkin, David H., $e curator. $e curator. $4 cur $4 cur
245 10 $a Gainsborough's family album / $c David H. Solkin, with Ann Bermingham and Susan Sloman.
264  1 $a London : $b National Portrait Gallery, $c [2018]
300    $a 190 pages : $b color illustrations, color portraits, genealogical table ; $c 29 cm
500    $a Published to accompany the exhibition Gainsborough's family album, held at the National Portrait Gallery, London, 22 November 2018 to 3 February 2019, and Princeton University Art Museum, 23 February to 9 June 2019.
504    $a Includes bibliographical references (page 186) and index.
505 00 $g Chronology -- $g Curator's foreword -- $g Chronology -- $t The family album. London & Suffolk 1727-1758/9 ; Bath 1759-1774 ; London 1774-1788. $t Private and public relations : Gainsborough's family album / $r Ann Bermingham -- $t Daughters and sisters : Gainsborough's portraits of Mary and Margaret / $r Ann Bermingham -- $t Women of consequence : Mrs Gainsborough and Mrs Gibbon -- $t The family album. London & Suffolk 1727-1758/9 ; Bath 1759-1774 ; London 1774-1788.
520 8  $a "I am sick of Portraits and wish very much to take up my Viol da Gamba and walk off to some sweet village when I can paint Landskips and enjoy the fag end of life in quietness and ease." Despite this famous protestation in a letter to his friend William Jackson, Thomas Gainsborough (1727-88) was clearly prepared to make an exception when it came to making portraits of his own family and himself. This book features over 50 portraits of himself, his wife, his daughters, other close relatives and his beloved dogs, Tristram and Fox. Spanning more than four decades, Gainsborough's family portraits chart the period from the mid-1740s, when he plied his trade in his native Suffolk, to his most successful latter years at his luxuriously appointed studio in London's West End. Alongside this story of a provincial 18th-century artist's rise to fame and fortune runs a more private narrative, about the role of portraiture in the promotion of family values, at a time when these were assuming a recognizably modern form.
600 10 $a Gainsborough, Thomas, $d 1727-1788 $v Exhibitions.
600 10 $a Gainsborough, Thomas, $d 1727-1788 $x Family $v Exhibitions.
600 30 $a Gainsborough family $v Exhibitions. $v Exhibitions.
700 1  $a Bermingham, Ann, $e author. $4 aut
700 1  $a Sloman, Susan, $e author. $4 aut
700 1  $a Gainsborough, Thomas, $d 1727-1788, $e artist. $4 art
710 2  $a National Portrait Gallery (Great Britain)
710 2  $a Princeton University. $b Art Museum.
941    $a 2
952    $l OVUX522 $d 20231021011046.0
952    $l USUX851 $d 20190402014313.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=F29C4E403F1711E98434DF6697128E48
994    $a C0 $b IWA

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