The Locator -- [(title = "comedy of errors ")]

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03444aam a2200457 a 4500
001 CB79938AEB2911E093D6A0CE6AFF544E
003 SILO
005 20110930010211
008 100917s2011    nyu      b    001 0 eng  
010    $a 2010039889
020    $a 0230110649 (hardback)
020    $a 9780230110649 (hardback)
035    $a (OCoLC)662407403
040    $a DLC $c DLC $d SILO $d YDXCP $d IG# $d BWX $d IUL $d CDX $d SILO
042    $a pcc
043    $a e-uk-en
050 00 $a PR658.A88 $b I43 2011
082 00 $a 822/.045/09031 $2 22
084    $a PER011020 $a LIT013000 $a LIT015000 $a PER011020 $2 bisacsh
245 0  $a Imagining the audience in early modern drama, 1558-1642 / $c edited by Jennifer A. Low and Nova Myhill.
250    $a 1st ed.
260    $a New York : $b Palgrave Macmillan, $c 2011.
300    $a viii, 218 p. ; $c 22 cm.
504    $a Includes bibliographical references and index.
505 00 $t Fitzgrave's Jewel: audience and anticlimax in Middleton and Shakespeare / $r Jeremy Lopez. $t Crowd control / $r Paul Menzer -- $t Taking the stage: spectators as spectacle in the Caroline Private Theaters / $r Nova Myhill -- $t The curious case of the two audiences: Thomas Dekker's Match Me in London / $r Mark Bayer -- $t Door number three?: time, space, and audience in The Menaechmi and The Comedy of Errors / $r Jennifer A. Low -- $t Audience as witness in Edward II / $r Meg F. Pearson -- $t "Lord of thy presence": bodies, performance, and audience interpretation in Shakespeare's King John / $r Erika T. Lin -- $t Charismatic audience: a 1559 pageant / $r David M. Bergeron -- $t Audience, actors, and "Taking Part in the revels / $r Emma Rhatigan -- $t Bleared vision in The Taming of the Shrew / $r James Wells -- $t Fitzgrave's Jewel: audience and anticlimax in Middleton and Shakespeare / $r Jeremy Lopez.
520    $a "The role of the audience takes on new importance when performance is reconceived as a dialectical activity. The essays in this collection examine the relationship between dramatic performance and audience in the work of Shakespeare and his contemporaries. That relationship is complicated by multiple conceptions of the audience: playwrights imagine their audiences; actors address them; the audience actually attending the play is yet another entity. The authors combine theatre history and cultural analysis with examinations of plays and productions to explore how those involved in early modern productions conceived of their audience, how audiences shaped the dramas they watched, and even how the roles of actor and audience member sometimes merged"-- Provided by publisher.
650  0 $a English drama $y Early modern and Elizabethan, 1500-1600 $x History and criticism.
650  0 $a Theater audiences $z England $x History $y 16th century.
650  0 $a English drama $y 17th century $x History and criticism.
650  0 $a Theater audiences $z England $x History $y 17th century.
650  0 $a Theater $z England $x History.
650  7 $a LITERARY CRITICISM / European / English, Irish, Scottish, Welsh $2 bisacsh
650  7 $a LITERARY CRITICISM / Drama $2 bisacsh
650  7 $a LITERARY CRITICISM / Shakespeare $2 bisacsh
650  7 $a PERFORMING ARTS / Theater / History & Criticism $2 bisacsh
700 1  $a Low, Jennifer A., $d 1962-
700 1  $a Myhill, Nova, $d 1970-
941    $a 2
952    $l USUX851 $d 20180905055550.0
952    $l OVUX522 $d 20171230040654.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CB79938AEB2911E093D6A0CE6AFF544E

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