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02128aam a2200361Ii 4500 001 9CAB7A5267E811E984AFEC2797128E48 003 SILO 005 20190426010036 008 180614t20192019enka b 001 0 eng d 010 $a 2018957114 020 $a 9780198791744 020 $a 0198791747 035 $a (OCoLC)1039936418 040 $a YDX $b eng $e rda $c YDX $d BDX $d UKMGB $d OCLCO $d OCLCQ $d OCLCF $d YDX $d EAU $d QX7 $d IOU $d SILO 050 4 $a PN1995.9.F54 $b N37 2019 082 04 $a 791.43655 $2 23 100 1 $a Naremore, James, $e author. 245 10 $a Film noir : $b a very short introduction / $c James Naremore. 264 1 $a Oxford, United Kingdom : $b Oxford University Press, $c 2019. 300 $a xxi, 124 pages : $b illustrations ; $c 18 cm 490 1 $a Very short introductions ; $v 597 504 $a Includes bibliographical references (pages 109-114) and index. 505 0 $a 1. The idea of film noir -- 2. The modernist crime novel and Hollywood noir -- 3. Censorship and politics in Hollywood noir -- 4. Money, critics, and the art of noir -- 5. Styles of film noir -- 6. The afterlife of noir. 520 $a Film noir is one of the most intriguing yet difficult to define terms in cinema history. First associated with Hollywood thrillers of teh 1940s and 50s, film noir has become fully international in its nature and appeal, attracting the interest of great directors right up to our present time. In this Very Short Introduction James Naremore analyses classic examples of the films, as well as a few lesser known noir pieces, highlighting their key themes and styles, and their major literary sources. He considers their methods of dealing with censorship, and looks to the future of noir in a world of digital media and video streaming. 650 0 $a Film noir $x History and criticism. 830 0 $a Very short introductions ; $v 597. 941 $a 4 952 $l GOPG641 $d 20240409033158.0 952 $l USUX851 $d 20240403014437.0 952 $l CEAX572 $d 20200508022928.0 952 $l BAPH771 $d 20190426010117.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=9CAB7A5267E811E984AFEC2797128E48 994 $a C0 $b IOUInitiate Another SILO Locator Search