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03473aam a2200409 i 4500 001 CB41232A68DD11EA9C5A9E4D97128E48 003 SILO 005 20200318010024 008 190305t20192019nyuagh b 001 0deng 010 $a 2019010573 020 $a 0190217723 020 $a 9780190217723 020 $a 0190217715 020 $a 9780190217716 035 $a (OCoLC)1089840773 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d BDX $d YDX $d ERASA $d TJC $d UKMGB $d SILO 042 $a pcc 050 00 $a ML410.B868 $b C75 2019 100 1 $a Crist, Stephen A., $e author. 245 10 $a Dave Brubeck's Time out / $c Stephen A. Crist. 264 1 $a New York, NY : $b Oxford University Press, $c [2019] 300 $a xx, 272 pages : $b illustrations, facsimiles, music ; $c 21 cm. 490 1 $a Oxford studies in recorded jazz 546 $b Staff notation. 504 $a Includes bibliographical references (pages [255]-263) and index. 505 0 $a Time and Brubeck time -- Onto the world stage -- Watershed -- Creative process I : composition and improvisation -- Creative process II : Recording sessions -- Cross-genre synthesis -- Music and lyrics -- Recorded legacy -- Metrical experimentation -- Time marches on. 520 8 $a Dave Brubeck's Time Out ranks among the most popular, successful, and influential jazz albums of all time. Released by Columbia in 1959 alongside such other landmark albums as Miles Davis's Kind of Blue and Charles Mingus's Mingus Ah Um, Time Out became the first jazz album to be certified platinum, while its featured track, "Take Five" became the first jazz single to surpass one million copies sold. In addition to its commercial successes, the album is widely recognized as a pioneering endeavor into the use of odd meters in jazz. With its opening track, "Blue Rondo a la Turk" written in 9/8, its hit single "Take Five" in 5/4, and equally innovative plays on the more common 3/4 and 4/4 meters on other tracks, Take Five has played an important role in the development of modern jazz. In this book, author Stephen A. Crist draws on nearly ten years of archival research to offer the most thorough examination to date of this seminal jazz album. Supplementing his research with interviews with key individuals, including Brubeck's widow Iola and daughter Catherine, as well as interviews conducted with Brubeck himself prior to his passing in 2012, Crist paints a complete picture of the album's origins, creation, and legacy. Couching careful analysis of each of the album's seven tracks within historical and cultural context, he offers fascinating insights into the composition and development of some of the albums best known songs. From Brubeck's 1958 State Department-sponsored tour of Turkey during which he first encountered the aksak rhythms that would from the basis of "Blue Rondo a la Turk" to the backstage jam session that laid the seeds for "Take Five", Crist sheds an exciting new light on one of the most significant albums in jazz history. 600 10 $a Brubeck, Dave. $t Time out. 650 0 $a Jazz $y 1951-1960 $x History and criticism. 650 7 $a Jazz. $2 fast $0 (OCoLC)fst00982165 648 7 $a 1951-1960 $2 fast 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 776 08 $i Print version : $z 9780190217716 830 0 $a Oxford studies in recorded jazz. 941 $a 1 952 $l OVUX522 $d 20220317025548.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=CB41232A68DD11EA9C5A9E4D97128E48Initiate Another SILO Locator Search