The Locator -- [(title = "Remixed ")]

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03246aam a2200469 i 4500
001 BBD0092A586511EA978CCE3397128E48
003 SILO
005 20200226010029
008 190430t20202020enka     b    001 0 eng  
010    $a 2019010101
020    $a 1350103055
020    $a 9781350103054
035    $a (OCoLC)1103579350
040    $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d YDX $d BNG $d MNN $d YUS $d SILO
042    $a pcc
050 04 $a PN3435 $b .B783 2020
082 00 $a 809.3/8738 $2 23
100 1  $a Bruin-Molé, Megen de, $e author.
245 10 $a Gothic remixed : $b monster mashups and Frankenfictions in 21st-century culture / $c Megen de Bruin-Molé.
264  1 $a London ; $b Bloomsbury Academic, $c 2020.
300    $a x, 264 pages : $b illustrations ; $c 25 cm
520    $a "The bestselling genre of Frankenfiction sees classic literature turned into commercial narratives invaded by zombies, vampires, werewolves, and other fantastical monsters. Too engaged with tradition for some and not traditional enough for others, these 'monster mashups' are often criticized as a sign of the artistic and moral degeneration of contemporary culture. These hybrid creations are the 'monsters' of our age, lurking at the limits of responsible consumption and acceptable appropriation. This book explores the boundaries and connections between contemporary remix and related modes, including adaptation, parody, the Gothic, Romanticism, and postmodernism. Taking a multimedia approach, case studies range from novels like Pride and Prejudice and Zombies and The Extraordinary Adventures of the Athena Club series, to television programmes such as Penny Dreadful, to popular visual artworks like Kevin J. Weir's Flux Machine GIFs. Megen de Bruin-Molé uses these monstrous and liminal works to show how the thrill of transgression has been contained within safe and familiar formats, resulting in the mashups that dominate Western popular culture." -- $c Provided by publisher.
504    $a Includes bibliographical references (pages 235-260) and index.
505 0  $a Frankenfictions -- Adapting the monster -- Mashing up the joke -- Remixing historical fiction -- Appropriating the author.
648  7 $a 2000-2099 $2 fast
650  0 $a Gothic fiction (Literary genre) $y 21st century $x History and criticism.
650  0 $a Literature $x History and criticism. $x History and criticism.
650  0 $a Film adaptations $x History and criticism.
650  0 $a Appropriation (Arts) $x History $y 21st century.
650  0 $a Monsters in literature.
650  0 $a Cultural industries $x History $y 21st century.
650  7 $a Appropriation (Arts) $2 fast $0 (OCoLC)fst01909224
650  7 $a Cultural industries. $2 fast $0 (OCoLC)fst00885002
650  7 $a Film adaptations. $2 fast $0 (OCoLC)fst00924250
650  7 $a Gothic fiction (Literary genre) $2 fast $0 (OCoLC)fst01745235
650  7 $a Literature $x Adaptations. $2 fast $0 (OCoLC)fst00999955
650  7 $a Monsters in literature. $2 fast $0 (OCoLC)fst01025760
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
941    $a 1
952    $l OVUX522 $d 20220317031428.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BBD0092A586511EA978CCE3397128E48

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