The Locator -- [(title = "SHOAH ")]

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03435aam a2200409 i 4500
001 BB7185F01D7611EA83B92C1397128E48
003 SILO
005 20191213010258
008 180923t20192019nyu      b   s001 0 eng c
010    $a 2018033291
020    $a 1438474768
020    $a 9781438474762
020    $a 1438474776
020    $a 9781438474779
035    $a (OCoLC)1065549114
040    $a LBSOR/DLC $b eng $e rda $c DLC $d BDX $d YDX $d OCLCF $d ERASA $d HUC $d YDX $d HLS $d UtOrBLW $d SILO
042    $a pcc
050 00 $a PN1997.S4755 $b C39 2019
082 00 $a 791.43/72 $2 23
100 1  $a Cazenave, Jennifer, $e author. $0 http://id.loc.gov/authorities/names/no2012161829
245 13 $a An archive of the catastrophe : $b the unused footage of Claude Lanzmann's Shoah / $c Jennifer Cazenave.
264  1 $a Albany : $b State University of New York Press, $c [2019]
300    $a xxxvii, 313 pages : $b illustrations ; $c 24 cm.
490 1  $a SUNY series in contemporary Jewish literature and culture
520    $a "Claude Lanzmann's 1985 magnum opus Shoah is a canonical documentary on the Holocaust--and in film history. Over twelve years, Lanzmann gathered 230 hours of interviews with survivors, witnesses, and perpetrators, which he condensed into a nine-and-a-half-hour film. The unused footage was scattered and inaccessible for years before it was restored and digitized by the United States Holocaust Memorial Museum. In An Archive of the Catastrophe, Jennifer Cazenave presents the first comprehensive study of this collection. She argues that the outtakes pose a major challenge to the representational and theoretical paradigms produced by the documentary, while offering new meanings of Shoah and of Holocaust testimony writ large. They lend new insight into issues raised by the film, including questions of resistance, rescue, refugees, and above all gender--interviews with women make up a mere ten minutes of the finished documentary. As a rare instance of outtakes preserved during the predigital era of cinema, the unused footage of Shoah challenges us to establish a new critical framework for understanding how documentaries are constructed and reshapes the way we view this key Holocaust film"-- $c Provided by publisher.
504    $a Includes bibliographical references (pages 273-286) and index.
505 0  $a Introduction: the making of the Shoah archive -- The formation of a paradigm -- Recasting 1961: Shoah and the Eichmann trial -- Off-frame: trauma and the feminine -- The question of rescue and refugees -- Conclusion: the deep time of testimony.
630 00 $a Shoah (Motion picture) $0 http://id.loc.gov/authorities/names/n85044382
630 07 $a Shoah (Motion picture) $2 fast $0 (OCoLC)fst01369922
650  0 $a Holocaust, Jewish (1939-1945), in motion pictures. $0 http://id.loc.gov/authorities/subjects/sh85061523
650  7 $a Holocaust, Jewish (1939-1945) in motion pictures. $2 fast $0 (OCoLC)fst00958927
776 08 $i Electronic version: $a Cazenave, Jennifer. $t Archive of the catastrophe. $d Albany : State University of New York Press, [2019] $z 9781438474786 $w (OCoLC)1103605982
700 1  $a Lanzmann, Claude. $0 http://id.loc.gov/authorities/names/n85044378
830  0 $a SUNY series in contemporary Jewish literature and culture. $0 http://id.loc.gov/authorities/names/no2018019831
941    $a 1
952    $l OVUX522 $d 20191213013857.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=BB7185F01D7611EA83B92C1397128E48

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