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03078aam a2200385 i 4500 001 4F5FBFD0DCB911EC8436229451ECA4DB 003 SILO 005 20220526010039 008 210825t20212002kyua b 001 0 eng d 020 $a 0813152194 020 $a 9780813152196 035 $a (OCoLC)1268130236 040 $a UKMGB $b eng $e rda $c UKMGB $d OCLCO $d OCLCF $d YDX $d GSU $d UIU $d BDX $d NUI $d SILO 043 $a n-us--- 050 4 $a PN1995.9.F54 $b D53 2021 082 04 $a 791.436556 $2 23 100 1 $a Dickos, Andrew, $d 1952- $e author. 245 10 $a Street with no name : $b a history of classic American film noir / $c Andrew Dickos. 250 $a Updated edition. 264 1 $a Lexington, Kentucky : $b The University Press of Kentucky, $c 2021. 300 $a x, 307 pages : $b illustrations (black and white) ; $c 23 cm 520 $a Traces the genre of film noir back to German and French roots. Describes the development of the genre in the United States and examines its expression in modern cinema. 504 $a Includes bibliographical references (pages 283-289) and index. 505 00 $t Comments on the classic film noir and the neo-noir. $t German expressionism and the roots of the film noir -- $t Fritz Lang -- $t Robert Siodmak -- $t The inception of the film noir in the French cinema of the 1930s -- $t The film noir in France in the immediate postwar years -- $g Epilogue: $t The noir in America -- $t The noir city -- $t Archetypes- protagonists -- $t Abraham Polonsky -- $t Jules Dassin -- $t Nicholas Ray -- $t Orson Welles -- $g 2. $t The hard-boiled fiction influence -- $t Cornell Woolrich -- $t The private detective -- $t Humphrey Bogart, Spade, Marlowe, and the film noir -- $t The gangster figure and the noir -- $t John Huston -- $t Violence in the noir -- $t Samuel Fuller -- $t Robert Aldrich -- $t Don Siegel -- $t Sexuality in the noir -- $t Families in the noir -- $t Joseph H. Lewis -- $g 3. $t Women as seen in the film noir -- $t Otto Preminger -- $g 4. $t Noir production -- $t Noir iconography -- $t The use of voice-over narration -- $t The flashback device -- $t Amnesia as a storytelling device -- $t The B noir production -- $t Documentary realism in the noir -- $t Critical and popular reception of the film noir -- $t HUAC and the blacklist -- $t Fight pictures -- $t Caper films -- $t Crime syndicate exposeÌs -- $t The Kefauver Crime hearings -- $t Anthony Mann -- $t Phil Karlson -- $g 5. $t The noir influence on the French new wave -- $t Jean-Pierre Melville -- $g Epilogue: $t Comments on the classic film noir and the neo-noir. 650 0 $a Film noir $z United States $x History and criticism. 650 0 $a Crime films $z United States $x History and criticism. 650 0 $a Motion pictures, American $z United States $x History and criticism. 650 0 $a Modern Cinema $z United States 650 7 $a Film noir. $2 fast $0 (OCoLC)fst00924273 651 7 $a United States. $2 fast $0 (OCoLC)fst01204155 655 7 $a Film criticism. $2 lcgft 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 941 $a 1 952 $l OVUX522 $d 20231117012036.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=4F5FBFD0DCB911EC8436229451ECA4DBInitiate Another SILO Locator Search