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03387aam a2200409 i 4500 001 8EA534FC664511EDB99D19AA23ECA4DB 003 SILO 005 20221117010035 008 220408t20222022ctua b 000 0deng d 020 $a 9780300262216 020 $a 0300262213 035 $a (OCoLC)1309870283 040 $a YDX $b eng $e rda $c YDX $d YUS $d TFW $d UPP $d KUK $d SAV $d IND $d YDX $d PMC $d OCLCF $d NUI $d SILO 245 00 $a Claude Lanzmann after Shoah / $c Michael G. Levine and Jared Stark, special editors. 264 1 $a New Haven, CT. : $b Yale University Press, $c [2022] 300 $a 191 pages : $b illustrations ; $c 24 cm 490 1 $a Yale French studies, $x 0044-0078 ; $v no. 141 504 $a Includes bibliographical references. 505 0 $a How to see nothing : A visitor from the living [1997] / Jared Stark -- Revolt as a study in precision : Sobibor, October 14, 1943, 4 p.m. [2001] / Judith Kasper -- "I was a report" : The Karski Report [2010] / Alexander GarciÌa DuÌttmann -- Testimony beyond justice : The last of the unjust [2013] / Sara Guyer -- Four sisters [2018] and Claude Lanzmann's Holocaust Film Project / Stuart Liebman -- Israeli soldiers in the eyes of the beholder : Tsahal [1994] / Brad Prager -- "Yes, this is the place" : Lanzmann between Napalm [2017] and Shoah / Michael G. Levine -- Time and the hare : Lanzmann's autobiography / Françoise Meltzer -- Self-portrait at ninety : an interview with Franck Nouchi and Juliette Simont / Claude Lanzmann. 520 $a This volume of Yale French Studies charts the different paths the filmmaker Claude Lanzmann (1925-2018) took after the release of Shoah in 1985. These paths are explored through a consideration of his late films--Tsahal (1994), A Visitor from the Living (1997), Sobibor, October 14, 1943, 4 p.m. (2001), Light and Shadows (2008), The Karski Report (2010), The Last of the Unjust (2013), Napalm (2017), and Four Sisters (2018)--and of his memoir, The Patagonian Hare. The volume also includes an English translation of his last major interview, "Self-Portrait at Ninety." The original essays collected here show that Lanzmann's late films and writing stand as something more than mere footnotes to his 1985 masterpiece. Continuing to wrestle with questions of cinematic transmission and the relationship among film, history, and testimony, they confront anew and in a variety of approaches the challenge of representing the Holocaust, and of living in its aftermath. 600 10 $a Lanzmann, Claude $x Criticism and interpretation. 630 00 $a Shoah (Motion picture) 650 0 $a Holocaust, Jewish (1939-1945), in motion pictures. 650 0 $a Motion pictures $z France. 600 17 $a Lanzmann, Claude. $2 fast $0 (OCoLC)fst00156747 630 07 $a Shoah (Motion picture) $2 fast $0 (OCoLC)fst01369922 650 7 $a Holocaust, Jewish (1939-1945) in motion pictures. $2 fast $0 (OCoLC)fst00958927 650 7 $a Motion pictures. $2 fast $0 (OCoLC)fst01027285 651 7 $a France. $2 fast $0 (OCoLC)fst01204289 655 7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635 700 1 $a Levine, Michael G., $e editor. 700 1 $a Stark, Jared, $d 1967- $e editor. 773 18 $w 990008564970202771 $g no:31858073076774 830 0 $a Yale French studies ; $v no. 141. 941 $a 1 952 $l OVUX522 $d 20231117022730.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=8EA534FC664511EDB99D19AA23ECA4DBInitiate Another SILO Locator Search