The Locator -- [(title = "Renaissance drama")]

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03180aam a2200481 i 4500
001 3E59FC826D7C11EEBBB0FB5526ECA4DB
003 SILO
005 20231018010120
008 220912t20232023enka     b    001 0 eng  
010    $a 2022034397
020    $a 1009224050
020    $a 9781009224055
020    $a 1009224034
020    $a 9781009224031
035    $a (OCoLC)1344427024
040    $a DLC $b eng $e rda $c DLC $d OCLCF $d CDX $d YDX $d SILO
042    $a pcc
043    $a e-uk-en
050 00 $a PN2592 $b .C73 2023
082 00 $a 792.0942 $2 23/eng/20220913
100 1  $a Craig, Heidi, $d 1985- $e author.
245 10 $a Theatre closure and the paradoxical rise of English Renaissance drama in the Civil Wars / $c Heidi Craig.
246 3  $a Theater closure and the paradoxical rise of English Renaissance drama in the Civil Wars
264  1 $a Cambridge, United Kingdom ; $b Cambridge University Press, $c 2023.
300    $a x, 245 pages : $b illustrations ; $c 24 cm
520    $a "Focusing on the production and reception of drama during the theatre closures of 1642 to 1660, Heidi Craig shows how the "death" of contemporary theatre in fact gave birth to English Renaissance drama as a critical field. While the prohibition on playing in many respects killed the English stage, drama thrived in print, with stationers publishing unprecedented numbers of previously unprinted professional plays, vaunting playbooks' ties to the receding theatrical past. Marketed in terms of novelty and nostalgia, plays unprinted before 1642 gained new life. Stationers also anatomized the whole corpus of English drama, printing the first anthologies and comprehensive catalogues of drama. Craig captures this crucial turning-point in English theatre history with chapters on royalist nostalgia, clandestine theatrical revivals, dramatic compendia, and the mysteriously small number of Shakespeare editions issued during the period, as well as a new incisive reading of Beaumont and Fletcher's A King and No King"-- $c Provided by publisher.
504    $a Includes bibliographical references (pages 213-233) and index.
648  7 $a 1600-1699 $2 fast
650  0 $a Theater and society $z England $x History $y 17th century.
650  0 $a English drama $y 17th century $x History and criticism.
650  0 $a Theater audiences $z England $x History $y 17th century.
650  0 $a Authors and readers $z England $x History $y 17th century.
650  7 $a Authors and readers. $2 fast $0 (OCoLC)fst00821738
650  7 $a English drama. $2 fast $0 (OCoLC)fst00910737
650  7 $a Theater and society. $2 fast $0 (OCoLC)fst01149315
650  7 $a Theater audiences. $2 fast $0 (OCoLC)fst01149328
651  7 $a England. $2 fast $0 (OCoLC)fst01219920
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a History. $2 fast $0 (OCoLC)fst01411628
776 08 $i Online version: $a Craig, Heidi, 1985- $t Theatre closure and the paradoxical rise of English renaissance drama $d Cambridge ; New York, NY : Cambridge University Press, [2023] $z 9781009224017 $w (DLC)  2022034398
941    $a 1
952    $l OVUX522 $d 20231117013859.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=3E59FC826D7C11EEBBB0FB5526ECA4DB

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