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03976aam a2200445 i 4500 001 A4787840129911EBB48536AA50ECA4DB 003 SILO 005 20201020010019 008 200127s2020 ohua bc 001 0 eng 010 $a 2020003317 020 $a 1911282638 020 $a 9781911282631 035 $a (OCoLC)1138996543 040 $a DLC $b eng $e rda $c DLC $d OCLCO $d OCLCF $d ERASA $d YDX $d SILO 042 $a pcc 050 00 $a ND450 $b .B45 2020 082 00 $a 759.4 $2 23 100 1 $a Bell, Peter Jonathan, $e author. 245 14 $a The Berlin masterpieces in America : $b paintings, politics, and the Monuments Men / $c Peter Jonathan Bell and Kristi A. Nelson ; with contributions by Tanja Bernsau, Kathryn Griffith, Neville Rowley, and Nancy Yeide. 264 1 $a Cincinnati : $b Cincinnati Art Museum ; $c 2020. 300 $a 224 pages : $b illustrations (chiefly color) ; $c 25 cm 500 $a "This catalog accompanies the exhibition Paintings, Politics, and the Monuments Men: The Berlin Masterpieces in America on display at Cincinnati Art Museum, June 26, 2020-September 6, 2020"--Colophon. 504 $a Includes bibliography (pages 215-219) and index. 505 0 $a Sold and stolen : the use and abuse of paintings in Nazi Germany and during World War II / Peter Jonathan Bell -- Map : the movements of the "202" -- Walter Farmer and the Central Collecting Point in Wiesbaden / Tanja Bernsau -- Making art history : the masterpieces' postwar tour / Kristi A. Nelson -- The road (back) to Berlin : the endless journey of the "202" / Neville Rowley -- Walter Ings Farmer : memories of a life -- What's past is prologue : provenance research in American museums / Nancy Yeide -- Catalogue -- Appendix : paintings from the Berlin museums. 520 $a This exhibition catalogue focuses on the transfer of 202 paintings from the Berlin State Museums-including many of the greatest 15th to 18th-century works in the GemaÂldegalerie-to the United States in the aftermath of World War II. In November 1945, the U.S. military government in Germany ordered that "at least 200 German works of art of greatest importance" be sent to Washington for safekeeping. After two years in storage, they were exhibited at the National Gallery of Art, Washington D.C., and in thirteen other cities across the country in 1948-49, before returning to Germany. The essays in the catalogue explore the controversy that surrounded this transfer of patrimony, as well as the reception of the paintings themselves in the United States. At the heart of the book is Walter I. Farmer, who served in the US Army as a Monuments, Fine Arts, and Archives officer-a 'Monuments Man'-and as Director of the Wiesbaden Central Collecting Point (1945-46), which housed thousands of artworks recovered at the end of the war. Farmer is responsible for the Wiesbaden Manifesto, which protested the shipment of paintings to the United States and was signed by two-thirds of the Monuments officers active in Europe. Following the war, he was a resident of Cincinnati and stalwart supporter of the arts in the region for almost fifty years. 650 0 $a Painting, European $v Exhibitions. 611 20 $a Masterpieces from the Berlin Museums (Exhibition) $d (1948-1949 : $c United States) 650 0 $a Traveling exhibitions $x History $x History $y 20th century. 650 0 $a Cultural property $x Moral and ethical aspects. 650 0 $a Cultural property $x Repatriation. 650 7 $a Cultural property $x Repatriation. $2 fast $0 (OCoLC)fst00885046 650 7 $a Painting, European. $2 fast $0 (OCoLC)fst01050808 648 7 $a 1900-1999 $2 fast 655 7 $a Exhibition catalogs. $2 fast $0 (OCoLC)fst01424028 655 7 $a History. $2 fast $0 (OCoLC)fst01411628 700 1 $a Nelson, Kristi $q (Kristi A.), $e author. 710 2 $a Cincinnati Art Museum, $e host institution. $e host institution. 941 $a 1 952 $l OVUX522 $d 20220317031425.0 956 $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=A4787840129911EBB48536AA50ECA4DBInitiate Another SILO Locator Search