The Locator -- [(title = "Dreamgirls")]

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04594aam a2200481 i 4500
001 70342A8C72D911EDA0B05B7C49ECA4DB
003 SILO
005 20221203010154
008 200205t20202020inua     b    001 0deng  
010    $a 2020005993
020    $a 025305284X
020    $a 9780253052841
020    $a 0253052823
020    $a 9780253052827
035    $a (OCoLC)1142938429
040    $a ICU/DLC $b eng $e rda $c DLC $d OCLCF $d OCLCO $d GO4 $d OCLCO $d OCL $d UKMGB $d YDX $d TJC $d CUV $d SILO
042    $a pcc
050 00 $a ML420.K675 $b B37 2020
082 00 $a 782.42164092 $2 23
245 00 $a Beyoncé : $b at work, on screen, and online / $c edited by Martin Iddon and Melanie L. Marshall.
264  1 $a Bloomington, Indiana : $b Indiana University Press, $c [2020]
300    $a 263 pages : $b illustrations ; $c 23 cm
520    $a "Who runs the world? The Beyhive knows. From the Destiny's Child 2001 hit single "Survivor" to her 2019 jam "7/11," Beyoncé Knowles-Carter has confronted dominant issues around the world. Because her image is linked with divisive political movements, including debates on race, sexuality, and female empowerment, she has become a central figure in pop music and pop culture. Beyoncé: At Work, On Screen, and Online explores her work as a singer, activist, and artist by taking a deep dive into her songs, videos, and performances, as well as responses from her fans. Contributors look at Beyoncé's entire body of work to examine her status as a canonical figure in modern music and do not shy away from questioning scandals or weighing her social contributions against the evolution of feminism, critical race theory, authenticity, and more. Full of examples from throughout Beyoncé's career, this volume presents listening as a political undertaking that generates meaning and creates community. Beyoncé: At Work, On Screen, and Online contends that because of her willingness to address societal issues within her career, Beyoncé has become an important touchstone for an entire generation-all in a day's work for Queen Bey"-- $c Provided by publisher.
504    $a Includes bibliographical references (pages 249-250) and index.
505 00 $t "Girl I'm tryna kick it with ya" : Tracing the reception of the embodiment of girl/bedroom culture in "7/11" / $r Melissa Avdeeff. $g III. $t Beyoncé at work, making Beyoncé. $t Surviving the hustle : Beyoncé's performance of work / $r Emily J. Lordi ; $t "A scientist of songs" : Beyoncé, the recording studio, and popular music authorship ; $t "Singing all the time" : Constructions of cultural identity in Beyoncé's I am ... Sasha Fierce / $r Lisa Colton -- $g II. $t Beyoncé on screen, reading Beyoncé. $t Beyoncé's mixed-media feminism : Sounding, staging, and sampling gender politics in "***Flawless" / $r Julia Cox ; $t "At last a dream that I can call my own" : Beyoncé and the performance of stardom in Dreamgirls and Cadillac Records / $r Jaap Kooijman ; $t For the Texas Bama femme : A black queer femme-inist reading of Beyoncé's "Sorry" / $r Omise'eke Natasha Tinsley ; $t Gypsying Beyoncé : The Latin crossover through Hispanic stereotypes / $r Eduardo Viñuela -- $g III. $t Beyoncé online, re-presenting Beyoncé. $t Unlikely resemblances : Beyoncé, "Single ladies," and comparative judgment of popular dacne / $r Mary Fogarty Woehrel ; $t "I see music" : Beyoncé, YouTube, and the question of signed songs / $r Áine Mangaoang ; $t "Girl I'm tryna kick it with ya" : Tracing the reception of the embodiment of girl/bedroom culture in "7/11" / $r Melissa Avdeeff.
600 00 $a Beyoncé, $d 1981- $x Criticism and interpretation.
650  0 $a Popular music $y 2001-2010 $x History and criticism.
650  0 $a Popular music $y 2011-2020 $x History and criticism.
650  0 $a Popular music $x Social aspects.
600 07 $a Beyoncé, $d 1981- $2 fast $0 (OCoLC)fst01727329
650  7 $a Popular music. $2 fast $0 (OCoLC)fst01071422
650  7 $a Popular music $x Social aspects. $2 fast $0 (OCoLC)fst01071460
648  7 $a 2001-2020 $2 fast
655  7 $a Music criticism and reviews. $2 fast $0 (OCoLC)fst01919942
655  7 $a Criticism, interpretation, etc. $2 fast $0 (OCoLC)fst01411635
655  7 $a Music criticism and reviews. $2 lcgft
700 1  $a Iddon, Martin, $d 1975- $e editor.
700 1  $a Marshall, Melanie L., $e editor.
776 08 $i Online version: $t Beyoncé $d Bloomington : Indiana University Press, 2021. $z 9780253052834 $w (OCoLC)1142924409 $w (OCoLC)1142924409
941    $a 1
952    $l PQAX094 $d 20231214050014.0
956    $a http://locator.silo.lib.ia.us/search.cgi?index_0=id&term_0=70342A8C72D911EDA0B05B7C49ECA4DB
994    $a Z0 $b IOW

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