The Locator -- [(subject = "bestiaries")]

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Record 10 | Previous Record | MARC Display | Next Record | Search Results
Author:
Coles, Katharine, author.
Title:
Stranger & stranger / poems by Katharine Coles ; images by Maureen O'Hara Ure.
Publisher:
Red Butte Press,
Copyright Date:
2016
Description:
12 unnumbered pages : color illustrations ; 23 cm
Subject:
2000-2099
Animals, Mythical--Poetry.
Fine printing--Salt Lake City--Salt Lake City--21st century--Specimens.
Artists' books--Salt Lake City--Salt Lake City--21st century--Specimens.
American poetry.
Animals, Mythical.
American poetry--21st century.
Poetry.
Bestiaries.
Poetry.
Artists' books.
Fine press books.
Typefaces (Type evidence)--Alegria Sans.
Typefaces (Type evidence)--Roman.
Poems--Utah--21st century.
Paper evidence (Paper)--Arturo Cover.
Paper evidence (Paper)--Loop Antique Vellum.
Folded books.
Longstitch bindings.
Photopolymer plates (printing plates)
Letterpress printing.
Other Authors:
Red Butte Press, publisher.
Cartiere Enrico Magnani, papermaker.
Mohawk Fine Papers, Inc., papermaker.
O'Hara Ure, Maureen, 1949- illustrator.
Wolske, David, book designer.
Giamo, Crane, printer.
Tipps, Emily, binder.
Notes:
"This collaboration evolved over a decade through artistic dialogue between poet Katharine Coles and painter Maureen O'Hara Ure. This imaginary collection was drawn from the inaccurate bestiaries created by New World explorers; North and South American, Asian, European, and particularly Byzantine art; and the co-creators' own strange minds. Type is Alegria Sans and Roman. Papers are Arturo Cover and Mohawk Loop Antique Vellum."--Colophon. Designed by David Wolske; printed by Crane Giamo; bound by Emily Tipps, Hailey Bradley, Sara Jensen, Dana Knight, Allison Milham, and Brett Stanfield; produced by Marnie Powers-Torrey and Red Butte Press. Numbered edition of 125. Special Collections has copy number 36/125, signed by author and illustrator. IaU
Summary:
"In Stranger & Stranger, visual and textual beasts intermingle and romp on the page, inhabiting illustrated and reader-envisioned water, air, and landscapes. Imagery for the bestiary was extracted from Maureen's paintings, translated for letterpress printing into photopolymer plates, and arranged in dynamic interaction with Katharine's poems. These selections from an imaginary bestiary were drawn from North and South American, Asian, European, and particularly Byzantine art; from the rarely accurate bestiaries created by early explorers of the New World; from encounters with animals both homely and nonhomely; and from the co-creators' own strange minds."--Publisher's website
OCLC:
(OCoLC)1090142379
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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