Includes bibliographical references (pages 250-317) and index.
Contents:
Conclusion : gender and genre. The protected witness : Cooper, Cole, and the male tourist's gaze -- Gazing women, unstable prospects : Sedgwick and Kirkland in the 1840s -- Fuller and revolutionary Rome : Republican and urban imaginaries -- National spaces, Catholic icons, and Protestant bodies : instructing the Republican subject in Hawthorne and Stowe -- Conclusion : gender and genre.
Series:
Edinburgh critical studies in Atlantic literatures and cultures
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