Includes bibliographical references (pages 227 - 267)and index.
Contents:
Family Snapshots & Hybrid Identities: Photography & Post-colonial Discourse in Ronit Matalon's The One Facing Us -- Negatives & Counter Narratives: Photography & Feminist Discourse in Yoel Hoffmann's How Do You Do, Dolores -- Travelogues & Spiritual Quests: Place Photos in Michal Govrin's Snapshots & Ruth Almog's A Stranger in Paradise -- Post-Trauma, Postmemory & "Poster" Images: Iconic Photos & Drawn Snapshots in Ari Folman & David Polonsky's Waltz with Bashir -- Pink Story with a Blue & White Background: Screenshots, Drawn Photos & LGBTQ Identity in Ilana Zeffren's Pink Story.
Summary:
"'The People of the Book and the Camera' is a study of avant-garde novels which include photographs in their pages, this book suggests that the combination of visual and verbal narration in Israeli novels allows minor voices to emerge, representing new perspectives in Israeli culture"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.