Includes bibliographical references (pages 222-241) and index.
Contents:
Coda: In Defence of Victorian Optimism. 1 Feeling Bodies: Associationism and the Anti-Metaphorics of Materiality -- 2 Symbolic Bodies: The Storyteller, Memory and Suffering in Boz's 'The Hospital Patient' -- 3 Metaphoric Bodies: The Professional Author, Sensation and Serialisation in Great Expectations -- 4 Plastic Bodies: The Scientist, Vital Mechanics and Ethical Habits of Character in Wilkie Collins's The Moonstone -- 5 Represented Bodies: The Lawyer, Conclusions and Circumstantial Evidence in Lady Audley's Secret -- 6 Caring Bodies: The Reformer, Sartorial Exchange and the Work of the Novel in Walter Besant's Children of Gibeon -- Coda: In Defence of Victorian Optimism.
Summary:
"Reading Bodies in Victorian Fiction challenges literary studies to attend to surfaces rather than interpretation through a history of how we came to think about emotion, empathy and reading fiction as intertwined ideas. Against professional readers, writers of popular fiction argued that emotional reading and sensational novels cultivated an ethics of care. They turned to Associationism - an eighteenth- and nineteenth-century science that understood mental phenomena through physiology - to understand language as a physiological process that draws bodies together. Emotional reading cultivated empathy in popular readers, and imbued popular fiction with cultural value."--Publisher description.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.