The Locator -- [(subject = "ART / Criticism & Theory")]

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Title:
Cult of the machine : precisionism and American art / Emma Acker, with Sue Canterbury, Adrian Daub, and Lauren Palmor.
Publisher:
Published by the Fine Arts Museums of San Francisco - de Youngin association with Yale University Press,
Copyright Date:
2018
Description:
243 pages : illustrations (some color) ; 30 cm
Subject:
Precisionism--Exhibitions.
Art and industry--United States--History--20th century--Exhibitions.
Art and society--United States--History--20th century--Exhibitions.
ART--Modern (late 19th Century to 1945)--Modern (late 19th Century to 1945)
ART--Criticism & Theory.
HISTORY--20th Century.--20th Century.
Art and industry.
Art and society.
Precisionism.
United States.
1900-1999
Exhibition catalogs.
History.
Other Authors:
Acker, Emma, contributor.
Canterbury, Sue, contributor.
Daub, Adrian, contributor.
Palmor, Lauren, contributor.
M.H. de Young Memorial Museum, host institution.
Dallas Museum of Art, host institution.
Notes:
Issued in connection with an exhibition held Mar. 24-Aug. 12, 2018, de Young Museum, San Francisco, California, and Sept. 16, 2018-Jan. 1, 2019, Dallas Museum of Art, Dallas, Texas. Includes bibliographical references and index.
Contents:
Engineers of an American art : Precisionism in the machine age / Emma Acker -- The absence of presence in the precisionist city / Sue Canterbury -- Confronting the colossus : two artists face the steel mill / Lauren Palmor -- 'No ideas but in things' : Precisionism and the scandal of modernity / Adrian Daub -- Catalogue of the exhibition -- Timeline : American art, technology, and industry, 1910-1950.
Summary:
"A fresh look at a bold and dynamic 20th-century American art style<BR /><BR /> Characterized by highly structured, geometric compositions with smooth surfaces, linear qualities, and lucid forms, Precisionism fully emerged after World War I and flourished in the 1920s and 1930s. This insightful publication, featuring more than 100 masterworks by artists such as Charles Sheeler, Georgia O'Keeffe, and Charles Demuth, sheds new light on the Precisionistaesthetic and the intellectual concerns, excitement, tensions, and ambivalences about industrialization that helped develop this important strand of early American modernism.<BR /> <BR /> Essays explore the origins of the style--which reconciled realism with abstraction and adapted European art movements like Purism, Cubism, and Futurism to American subject matter--as well as its relationship to photography, and the ways in which it reflected the economic and social changes brought about by industrialization and technology in the post-World War I world. In addition to making a meaningful contribution to the resurging interest in Modernism and its revisionist narratives, this book offers copious connections between the past and our present day, poised on the verge of a fourth industrial revolution"-- Provided by publisher.
ISBN:
0300234023
9780300234022
OCLC:
(OCoLC)1013528886
LCCN:
2017054110
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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