Published on the occasion of an exhibition at Fisk University Galleries, Nashville, Tennessee, October 7, 2022-February 11, 2023; Mildred Lane Kemper Art Museum, Saint Louis, Missouri, March 10-August 6, 2023; The Phillips Collection, Washington, D.C., October 7, 2023-January 7, 2024; Taft Museum of Art, Cincinnati, Ohio, February 10-May 19, 2024. Includes bibliographical references (pages 207-209) and index.
Summary:
Between 1947 and 1967, institutions such as the Harmon Foundation, the Museum of Modern Art, New York, and historically Black colleges and universities collected and exhibited works by many of the most important African artists of the mid-twentieth century, including Ben Enwonwu (Nigeria), Gerard Sekoto (South Africa), Ibrahim El-Salahi (Sudan), and Skunder Boghossian (Ethiopia). The inventive and irrefutably contemporary nature of these artists? paintings, sculptures, and works on paper defied typical Western narratives about African art being isolated in a ?primitive? past. Providing an unprecedented examination of the complex connections between modern African artists and American patrons amid the interlocking histories of civil rights, decolonization, and the Cold War, this fascinating volume reveals a transcontinental network of artists, curators, and scholars that challenged assumptions about African art in the United States and encouraged American engagement with African artists as contemporaries.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.