The Locator -- [(subject = "New York NY")]

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Title:
The young and evil : queer modernism in New York, 1930-1955 / edited by Jarrett Earnest.
Publisher:
David Zwirner Books,
Copyright Date:
2019
Description:
150 pages : illustrations (some color) ; 31 cm
Subject:
Homosexuality in art--Exhibitions.
Gay men in art--Exhibitions.
Gay artists--United States--Biography.
Gay artists--United States--History--20th century.
Modernism (Art)--United States--History--20th century.
Gay artists.
Modernism (Art)
United States.
Erotische Kunst
Homosexualita˜t--Motiv
Kunst
LGBTQ
New York, NY
1900-1999
Exhibition catalogs.
Catalogs.
Biographies.
History.
Exhibition catalogs.
Other Authors:
Earnest, Jarrett, author. author.
Reynolds, Ann Morris, author.
Silver, Kenneth E., author.
Schreiber, Michael (Writer), author.
David Zwirner (Gallery), host institution.
Notes:
Published on the occasion of an exhibition of the same name held at David Zwirner from February 21-April 13, 2019. Includes bibliographical references.
Contents:
A brief history of intimacy / Jarrett Earnest -- No strangers / Ann Reynolds -- Homo erectus and his discontents / Kenneth E. Silver -- Intimate companion: a conversation with Alexander Jensen Yow / Michael Schreiber -- Biographies / Kara Carmack.
Summary:
"The Young and Evil tells the story of a group of artists and writers active during the first half of the twentieth century, when homosexuality was as problematic for American culture as figuration was for modernist painting. These artists--including Paul Cadmus, Fidelma Cadmus Kirstein, Charles Henri Ford, Jared French, Margaret Hoening French, George Platt Lynes, Bernard Perlin, Pavel Tchelitchew, George Tooker, Alexander Jensen Yow, and their circle--were new social creatures, playfully and boldly homosexual at a time when it was both criminalized and pathologized. They pursued a modernism of the body--driven by eroticism and bounded by intimacy, forming a hothouse world within a world that doesn't nicely fit any subsequent narrative of modern American art. In their work, they looked away from abstraction toward older sources and models--classical and archaic forms of figuration and Renaissance techniques. What might be seen as a reactionary aesthetic maneuver was made in the service of radical content--endeavoring to depict their own lives. Their little-known history is presented here through never- before-exhibited photographs, sculptures, drawings, ephemera, and rarely seen major paintings--offering the first view of its kind into their interwoven intellectual, artistic, and personal lives"-- Publisher's website.
ISBN:
1644230267
9781644230268
OCLC:
(OCoLC)1127886423
Locations:
OVUX522 -- University of Iowa Libraries (Iowa City)

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