Metaphor and materiality in nineteenth-century art criticism -- The flesh of painting -- The confected canvas -- Impressionist market gardener.
Summary:
"A reexamination of French Impressionism, focusing on the culinary metaphors that the most influential nineteenth-century critics used to express attraction or disgust toward artworks"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.