Introduction: The Poetics of (Mis)Recognition PART I: RACE IN THE MIRROR OF COMMODITY FORM -- Chapter 1: 'Piece Logic': Race in the Mirror of Commodity Form -- Chapter 2: 'In the Hollow Parts of Anything that Moves': Asiatic Racial Form and the Poetics of Containment -- Chapter 3: 'Number, Form, Proportion, Situation': The Measure of Racial Comparison in Myung Mi Kim's Dura PART II: RACE AS SERIALITY -- Chapter 4: 'Where From, Where to are Faces of Here': Ed Roberson and the Seriality of Race -- Chapter 5: 'An Axiomatic Chorus': Improvising Collectivity in Nathaniel Mackey's From a Broken Bottle Traces of Perfume Still Emanate
Summary:
"This book conducts a comparative study of three literary traditions - post-1960 Asian American, Asian Canadian and Black experimental poetry - which are usually examined separately. In so doing, it intervenes in conventional understandings of postwar North American racial formation and argues that through poetry we can examine the intersection between race and capitalism. Arguing that contemporary Black, Asian American and Asian Canadian poets such as Myung Mi Kim, Nathaniel Macket, Larissa Lai and Erica Hunt challenge established definitions of race, this book develops an account of experimental poetry's understanding of race as a range of relational configurations of subjects within racial groups and across racial divisions. In sum, this book redefines some of the basic terms of analysis of contemporary US poetry and poetics, critical race/ethnic studies, racial capitalism and contemporary theories of comparative racialization."-- Provided by publisher
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.