Introduction / Carolina Rocha and Georgia Seminet -- Memory and trauma. Julia Tunon: Surviving childhood: the Nepantla generation as portrayed in On the empty balcony by Jome Garcia Ascot (1962) -- Antonio Gomez L.-Quinones: Fairies, maquis, and children without schools: romantic childhood and civil war in Pan's labyrinth -- Georgia Seminet: A child's voice, a country's silence: ethnicity, class and gender in El silencio de neto (1996) -- Carolina Rocha: Children's views of state-sponsored violence in Latin America: Machuca and The year my parents went on vacation -- Janis Breckenridge: Enabling, enacting and envisioning societal complicity: Daniel Bustamante's Andres no quiere dormir la siesta (2009) -- Childhood and paths to citizenship in film. Ignacio Sanchez Prado: Innocence interrupted: neoliberalism and the end of childhood in recent Mexican cinema -- Dan Russek: from Bunuel to Eimbcke: orphanhood in recent Mexican cinema -- Eduardo Ledesma: through "their" eyes: internal and external focalizing agents in the representation of children and violence in Iberian and Latin American film -- Rosana Diaz Zambrana: Roads to emancipation: sentimental education in Viva Cuba -- Gender identity. Jeff Zamostny: Donstructing ethical attention in Lucia Puenzo's XXY: cinematic strategy, intersubjectivity, and intersexuality -- Jack Draper: Cinematic portrayals of teen girls in Brazil's urban peripheries: realist and subjectivist approaches to adolescent dreams and fantasy in Sonhos roubados and Nina -- Beatriz Urraca: No longer young: childhood, family, and trauma in Las mantenidas sin sueos.
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