Includes bibliographical references (p. 249-263), discography (p. 265), and index.
Contents:
Composing oneself (reprise). Being musical : gender, sexuality, and musical identity in twentieth-century America -- Coda: My dear Freddy : identity excesses and evasions chez Paul Bowles -- French connection : modernist codes in the musical closet -- Queerness, eruption, bursting : U.S. musical modernism at midcentury -- Coda: Composing oneself (reprise).
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