Includes bibliographical references (pages 168-179) and index.
Contents:
Introduction: The observed of all observers -- Towards a theory of the lyric eye -- Hoover's optics: Bureau reading and impractical criticism -- Surveillance poetics abroad -- Surveillance poetics at home -- Conclusion: Poetry in the age of data surveillance.
Summary:
"Lyric Eye: The Poetics of Twentieth-Century Surveillance presents the first detailed study of the relationship between poetry and surveillance. It critically examines the close connection between American lyric poetry and a burgeoning US state surveillance apparatus from 1920 to the 1960s. The book explores the myriad ways that poets-Ezra Pound, William Carlos Williams, W.H. Auden, Langston Hughes, James Baldwin, Sylvia Plath, Gertrude Stein, Robert Lowell, Allen Ginsberg and others-explored a developing and fraught environment in which the growing power of American investigative agencies, such as the FBI under J. Edgar Hoover, imposed new pressures on cultural discourse and personal identity. In analysing twentieth-century American poetry and its various ideas about "the self," Lyric Eye demonstrates the extent to which poetry and surveillance employ similar styles of information-gathering such as observation, overhearing, imitation, abstraction, repurposing of language, subversion, fragmentation and symbolism. Ground-breaking and prescient, this book will be of great interest to scholars and researchers of literature, politics, surveillance and intelligence studies, and digital humanities"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.