Introduction : unfinished promises to an orphaned time -- Montage, realism, and the male gaze -- Eisenstein in America : the !Que viva México! debates and emergent Popular Front U.S. film theory and criticism -- Screening race : the antilynching film, the black press, and U.S. Popular Front film criticism -- Taking Hollywood back : gendered histories of the Hollywood costume drama, the biopic, and Jean Renoir's La Marseillaise -- Conclusion : fragments of the future.
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