Exploring the Black Venus Figure in Aesthetic Practices' critically examines a longstanding colonial fascination with the black female body as an object of sexual desire, envy, and anxiety. Since the 2002 repatriation of the remains of Sara Baartman to post-apartheid South Africa, the interest in the figure of Black Venus has skyrocketed, making her a key symbol for the restoration of the racialized female body in feminist, anti-racist and postcolonial terms.0Edited by Jorunn Gjerden, Kari Jegerstedt, and Zeljka Svrljuga, this volume considers Black Venus as a product of art established and potentially refigured through aesthetic practices, following her travels through different periods, geographies and art forms from Baudelaire to Kara Walker, and from the Caribbean to Scandinavia.0Contributors: Kjersti Aarstein, Carmen Birkle, Jorunn Svensen Gjerden, Kari Jegerstedt, Ulla Angkjaer Jorgensen, Ljubica Matek, Margery Vibe Skagen, Camilla Erichsen Skalle, Zeljka Svrljuga.
Series:
Cross/Cultures: readings in post/colonial literatures and cultures in English ; volume 210
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.