Part one. Spenser: Other poets -- Towards fairy land -- In Ireland -- A survey of The faerie queene -- Part two. Allegory: Allegory in The faerie queene -- For a general theory of allegory -- Death in an allegory -- Positioning Spenser's letter to Raleigh -- Allegory and Renaissance critical theory -- A field theory of allegory -- Part three. Thinking: From moment to moment -- Thinking moments in The faerie queene -- Courtesy and thinking -- Thinking of history in Spenserian romance -- The Colossi of Memnon: Edmund Spenser and Jacques Derrida -- Part four. Change: Colonial allegories in Paris -- Courtesy and the graces -- Night thoughts on mutabilitie -- Mutability ascendant.
Summary:
"There is more adventure in The Faerie Queene than in any other major English poem, and more various and delightful poetic effects. We descend into an alluring-alarming world of fairy tale, myth, and enchantment, the realm of pre-philosophical ideation, acoustically charged by those magical, knot-like Spenserian stanzas. In this wide-ranging book, which follows Spenser's exploratory method, Gordon Teskey illuminates the structure of the poem and explains the theory of allegory now, and in the poet's day. He examines the poem in the light of philosophy and art, and he accounts for the "sunset of idealism" in the poem's later, political books. In one chapter he discusses the allegorical paintings and sculptures at the French Colonial Exhibition of 1931, exposing the material motives behind Spenser's own engagements as a colonial administrator in Ireland. He concludes with The Faerie Queene's magnificent finale, "The Mutabilitie Cantos," a vision of life as dizzying, turbulent change"-- Provided by publisher.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.