Machine generated contents note: 3. Velazquez and the Royal Collection. Opening the Pandora's Box / Pablo de Cespedes y su biblioteca humanistica. Un nuevo acercamiento en su ideario artistico a traves de su coleccion / Miguel Hermoso Cuesta. Bernardino Poccetti as Collector / Grant Lewis -- "Ha muerto Rubens". La recepcion y llegada de parte de su coleccion al patrimonio de la Corona espanola / Matias Diaz Padron -- Francisco de Solis, Collector of Drawings / Angel Rodriguez Rebollo -- 2. Coteries. The Role of the Friendship and the Academies -- Vicente Carducho's Modelling of Artistic Practice and Connoisseurship / Tiarna Doherty -- Between Guild and Academy: Collections of Central European Painters as a Source of Artistic Progress or a Steady Livelihood? / Tomas Vales -- French Barbizon Landscapes Collected by Pre-Raphaelite and Aesthetic Movement. Artists in the second half of the Nineteenth Century / Sarah Herring -- Women Painters and Academicians: Models and Collections / Mariangeles Perez-Martin -- 3. Artists at the Court: Experience and Erudition -- Court Institutions and their Impact on Artworks by the valet de chambre: Artists Serving at the Valois-Burgundian Court during the Fifteenth Century / Oskar Jacek Rojewski -- Velazquez and the Royal Collection. Opening the Pandora's Box / Miguel Hermoso Cuesta.
Summary:
"Recent research on the collections treasured by artists during their lifetime, or those collections they had access to, has contributed significantly to the understanding of their own compositions. Contents: I. Learning from the Artistic Collections, Libraries and Workshops: Pablo de Cespedes, arte y humanismo en su biblioteca. Una nueva propuesta de interpretacion en torno a su coleccion bibliografica; Bernardino Poccetti as Collector; "Ha muerto Rubens". El eco de su coleccion en el rey de Espana; Francisco de Solis, Collector of Drawings. II. Coteries: The Role of the Friendship and the Academies: Vicente Carducho's Modelling of Artistic Practice and Connoisseurship; Between Guild and Academy: Collections of Central European Painters as a Source of Artistic Progress or a Steady Livelihood?; French Barbizon Landscapes Collected by Pre-Raphaelite and Aesthetic Movement Artists in the second half of the Nineteenth Century; Women Painters and Academicians: Models and Collections. III. Artists at the Court: Experience and Erudition: Court Institutions and their Impact on Artworks by the 'valet de chambre' Artists Serving at the Valois-Burgundian Court during the Fifteenth Century; Velazquez and the Royal Collection. Opening the Pandora's Box."-- Provided by vendor.
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