Includes bibliographical references (pages 345-363) and index.
Contents:
Introduction: Trends in British musical thought, 1850-1950 / Jeremy Dibble and Julian Horton -- Avoiding "coarse invective" and "unseemly vehemence" : English music criticism, 1850-1870 / Peter Horton -- Spencer, sympathy and the Oxford school of music criticism / Bennett Zon -- Free thought and the musician : Ernest Walker, the "English Hanslick" / Jeremy Dibble -- Ernest Newman and the promise of method in biography, criticism and history / Paul Watt -- "Making symphony articulate" : Bernard Shaw's sense of music history / Harry White -- Analysis and value judgment : Schumann, Bruckner and Tovey's Essays in musical analysis / Julian Horton -- The scholar as critic : Edward J. Dent / Karen Arrandale -- Russia and Eastern Europe / Philip Ross Bullock -- Anti-intellectualism and the rhetoric of "national character" in music : the vulgarity of over-refinement / Sarah Collins -- Chosen causes : writings on music by Bernard van Dieren, Peter Warlock and Cecil Gray / Seamas de Barra -- "Es klang so alt und war doch so neu" : Vaughan Williams, aesthetics and history / Aidan J. Thomson -- Constant Lambert : a critic for today? a commentary on Music ho! / Christopher Mark -- The challenge to goodwill : Herbert Howells, Alban Berg and "the modern problem" / Jonathan Clinch -- Hans Keller : the making of an "anti-critic" / Patrick Zuk.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.