Introduction: Autonomy, satire, romanticism, avant-garde -- The romantic satire of romanticism: Thomas Love Peacock's Nightmare Abbey -- Modernism against itself: Wyndham Lewis's The Apes of God -- Exhausting modernism: satire, sublimity and late modernism in William Gaddis's The Recognitions -- Aporia and the satiric imagination: the limit-modernism of Gilbert Sorrentino's Imaginative Qualities of Actual Things -- Conclusion: Satire and radical apophasis in evan Dara's The Easy Chain.
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