Introduction : Samuel Richardson's 'paintive art' -- Eighteenth-century portraiture : form, use, meaning, spectatorship -- Richardson's first portrait : the Hayman conversation piece -- Richardson's first novel : images of Pamela from Carwitham to Highmore -- 'Now for a likeness to illustrate the surprising scene' : portraiture and representation in Clarissa -- 'I am a painter, madam' : portraiture and representation in Sir Charles Grandison -- Conclusion : Richardson's legacy, portraiture and representation in Mansfield Park.
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