For alto soloist, chorus (SATTB), horns (2), trumpets (2), violins (2), viola, flutes (2), and basso continuo. Edited principally from the autograph score, A0467, Archivo Cabildo de la Catedral Metropolitano de México. Figured bass unrealized. Preface in English. Includes bibliographical references.
Summary:
"This volume presents the Requiem, including the Libera me responsory, that accompanied the celebration of the obsequies of King Ferdinand VI in Mexico, composed by Ignacio Jerusalem y Stella (1707-69). This work is the longest and most demanding composition of Jerusalem's career, and it is an impressive liturgical piece given the comprehensive array of compositional styles and instrumentation he employs. This particular piece, as well as Jerusalem's life and career as a whole, occupy the transitional phase between the baroque and classical styles better known as the galant style. In his Requiem, Jerusalem displays his ability to compose in every manner proper to the church during the mid-eighteenth century--homophony, imitation and fugue, baroque-style chord patterns, and classical instrumental and vocal passages. However, his upbringing near Naples in the early eighteenth century, his employment at the Neapolitan conservatory, and his time as a theater composer in Spain and Mexico made him most comfortable with those compositional aspects of the time that align more with the galant style."--Provided by publisher.
Series:
Recent researches in the music of the Classical Era ; 116 Recent researches in music online, 2577-4573
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.