Introduction : Jim Crow's cultural turns -- American graffiti : the social life of Jim Crow signs -- The signs of race in the language of photography -- Cultural memory and the conditions of visibility : the circulation of Jim Crow photographs -- Restroom doors and drinking fountains : perspective, mobility, and the fluid grounds of race and gender -- The eyeball and the wall : eating, seeing, and the nation -- Double take : photography, cinema, and the segregated theater -- Upside down and inside out : camera work, spectatorship, and the chronotope of the colored balcony -- Remaking racial signs : activism and photography in the theater of the sit-ins -- Afterword : Contemporary turns.
Summary:
"The George Gund Foundation imprint in African American studies."--P. [i] of preliminary pages.
This resource is supported by the Institute of Museum and Library Services under the provisions of the Library Services and Technology Act as administered by State Library of Iowa.