Includes bibliographical references (pages 83-90) and index.
Contents:
Introduction: The aesthetic of revolution circa 1952 -- Criminality and the public sphere: notes on a post-revolutionary aesthetics of film (1953-1957) -- The aesthetic of revolution in Naguib Mahfouz's Children of the alley -- The criminal inclinations of the good society: Naguib Mahfouz and the 1960s -- Partial politics: sectarianism and the new woman question in Naguib Mahfouz's post-revolutionary film and literature -- Conclusion: Mahfouz's wheel.
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