Introduction: a modernist body count -- Inhuman remains: the production and decomposition of the human in William Faulkner's south -- Autopsy-optics: Jean Toomer's Cane through the photographic lens -- Sutures and grooves: Mina Loy, Baroness Elsa, and the corpus of early-twentieth-century media -- Love and corpses: Djuna Barnes's queer posthumanism -- Coda. in kind cuts: Gertrude Stein's tender buttons and the nonhuman corpse.
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